Summary
Cathedral shadows lengthen across a fever-dream Mexico City where Lorelei’s Carmen detonates like molten gold inside the opera house, her vibrato a siren call that topples the brittle composure of Governor Francisco De Sarpina—potentate by daylight, satyr by dusk. Sculptor Marion Leslie, betrothed to the American meteor, chisels frescoes meant to outlast empires while Sarpina’s gaze already chips marble from the walls. Consul Rance Clifford’s telegram—inked dissent—earns him irons; his sister Isable, once the jailer Pietro’s angel of mercy, barters gratitude for a key and a prayer. Jealousy, forged in a counterfeit hand, passes from Sarpina to Lorelei like a poisoned host; one flare of parchment and trust implodes, leading soldiers to the cathedral’s nave where Clifford cowers among incense and candle stubs. Torture follows: Leslie stretched beneath vaulted ribs of stone, flesh yielding to the governor’s interrogation of love itself. Lorelei’s final aria is not sung but enacted—dagger-thrust through silk, passport pages fluttering like Pentecostal flames, the governor’s heart stilled at the stroke that buys two lives yet cannot buy dawn. She kneels at sunrise beside a body already cooling, passports clenched in one fist, the other pressed to a chest that will never again rise to meet her own.
Synopsis
Opera goers had never heard such a "Carmen" as Lorelei, the American girl, who had come to Mexico City, almost unheralded, and captivated the town. Francisco De Sarpina, governor of the province, coveted the girl, and with his power was able to sweep aside all opposition. Marion Leslie, an American sculptor, had rejoiced when he secured the commission to supply frescoes for one of the local cathedrals; he could be near Lorelei, his betrothed, during the grand opera season. Rance Clifford is the American consul and his sister, Isable, lives with him at the consulate. When Clifford files a telegram that promises to lead to an investigation of Sarpina's action the American is arrested and thrown into jail. Isable Clifford had at one time relieved the family of Pietro, the jailer. In their distress and thus gained the gratitude of Pietro and his wife. Isable hears of her brother's imprisonment and bribes Pietro to provide Clifford with means of escape. The Cliffords and Leslie are friendly and when Clifford escapes, he goes to the cathedral, to find shelter until he can plan the next move. Isable has consented to pose for a head of the Madonna and Lorelei is needlessly jealous. Lorelei arrives, demands admittance, and during the brief interval Leslie employs to hide Clifford, Lorelei's jealousy is set aflame. Sarpina discovers that his prisoner has escaped. He elicits from the jailer a confession that involves Isable. The cunning Mexican devises a scheme to play upon Lorelei's jealousy by forging a note to the opera singer that implicates Leslie and Isable. The forgery fires Lorelei's jealous passion, and she divulges Clifford's hiding place. Leading the Mexicans to Leslie's home she enters to find Clifford and his sister with Leslie. The situation is explained and Leslie directs Clifford and Isable to a nearby hiding place from whence they ultimately escape to safety. When the Mexicans enter Leslie's home, and find the singer and Leslie the only occupants, Sarpina demands that the whereabouts of his prisoner shall be disclosed. Sarpina's men seize Leslie and torture him when he will not betray the American refugees. Lorelei is a witness to the scene and when she can no longer bear seeing her betrothed punished, she tells where Clifford and Isable may be found. Leslie is ordered to jail, to be shot next morning. When Clifford and Isable cannot be found (because they have fled) Sarpina tells Lorelei that his vengeance will fall upon the head of her sweetheart. Surrendering herself to Sarpina is given as Lorelei's only method of saving Leslie's life. Lorelei dines with the Mexican brute and agrees to render the tribute demanded of her. First, however, Sarpina must deliver to her passports for two and instruct his executioner that only blanks shall be fired at Leslie in his pretended execution at sunrise. Five minutes alone with her betrothed is allowed Lorelei. Returning to Sarpina's apartments Lorelei, during a struggle with the Mexican, stabs him dead. Morning breaks, and Lorelei goes, passports in hand, to the place where her sweetheart lies prostrate upon the ground, cold in death. Shocked beyond human endurance, the singer falls upon the breast of her betrothed.
