Thinking she is helping her husband, Donald, Irene continues a friendship with Davies, a man-about-town who promises to help Donald get an architectural contract. Graves, a blackmailing publisher, prints the story of their affair, thereby casting suspicion on Donald and Philip Dupre, Irene's brother, when Davies is murdered.


The silent era often grappled with the ephemeral nature of reputation, yet few films from the mid-twenties articulate the fragility of social standing with the surgical precision of The Guilty One. This 1924 drama, directed with a keen eye for domestic claustrophobia, serves as a poignant reminder that the 'Jazz Age' w...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Joseph Henabery

Joseph Henabery
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"The silent era often grappled with the ephemeral nature of reputation, yet few films from the mid-twenties articulate the fragility of social standing with the surgical precision of The Guilty One. This 1924 drama, directed with a keen eye for domestic claustrophobia, serves as a poignant reminder that the 'Jazz Age' was not merely about flappers and gin; it was a period where the newly minted tabloid press could dismantle a life with a single headline. Starring the luminous Agnes Ayres, the fil..."
Thomas R. Mills
Michael Morton, Anthony Coldeway, Peter Traill
United States


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