Jim Lockhart is out to capture the robbing and murdering "Solitaire Kid". His girl Betty is on a stagecoach held up by the Kid, who falls for her and who she notices has a tatoo very much like one of Jim's.
So, The Law of the Range. This one's for the purists, honestly. If you're not already someone who seeks out silent Westerns from the late 20s, you can probably skip it. It's not going to convert you. But if you have a soft spot for that specific era, or you're curious about early Joan Crawford, then yeah, it's a solid ...
still_frame
still_frame
still_frame
still_frame
still_frame
still_frame
still_frame
still_frame
Comparing the cinematic DNA and archive impact of two defining moments in cult history.
William Nigh
William Nigh
Community
Log in to comment.
"So, The Law of the Range. This one's for the purists, honestly. If you're not already someone who seeks out silent Westerns from the late 20s, you can probably skip it. It's not going to convert you. But if you have a soft spot for that specific era, or you're curious about early Joan Crawford, then yeah, it's a solid enough way to spend 80 minutes. It's not a forgotten masterpiece, but it's got its moments. Tim McCoy, our hero Jim Lockhart, is exactly what you'd expect: stoic, rides well, squi..."
Robert E. Hopkins, Richard Schayer, Norman Houston
United States
Deep dive into the cult classic
Discover similar cinematic experiences
A Directorial Spotlight on William Nigh
