Summary
Paul Wegener’s 1918 cinematic interpretation of the Hamelin mythos transcends mere fairy tale adaptation, metamorphosing into a grim exploration of societal avarice and supernatural retribution. Within the claustrophobic, timber-framed confines of a medieval town, a kaleidoscope of vermin-induced hysteria unfolds as the citizenry find themselves besieged by a literal and metaphorical plague. A liminal traveler, portrayed by Wegener himself with a characteristic blend of the monstrous and the magnetic, offers salvation through a sonic pact. When the burghers, entrenched in their parsimony and bureaucratic mendacity, renege on their fiscal obligations, the Piper’s melody shifts from a cleansing frequency to a predatory lure. This lost artifact of German Expressionism chronicles the catastrophic friction that occurs when the mundane attempts to cheat the divine, culminating in the spirited abduction of the town's genetic future into the maw of the mountain—a haunting visualization of the price of broken promises.
Synopsis
Lost film about a traveler who comes into a town overrun with vermin. He promises to free the place of the pests. When the townspeople refuse to pay him after he has done what he promised, he plays his tune again with consequences.
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