
Edgar Allan Poe, while at college, incurs many debts and is sent home in disgrace. He is ordered from the house by his father.

Charles Brabin, George Cochran Hazelton
United States

Shadow, debt, and the reek of tallow: Charles Brabin’s 1915 one-reeler distills the cosmic melancholy of America’s most mythologized poet into a feverish twelve minutes, a celluloid séance that predates German Expressionism by half a decade yet already wallows in the same guttering luminance. From the first iris-in ...
Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Charles Brabin

Charles Brabin
Community
Log in to comment.
" Shadow, debt, and the reek of tallow: Charles Brabin’s 1915 one-reeler distills the cosmic melancholy of America’s most mythologized poet into a feverish twelve minutes, a celluloid séance that predates German Expressionism by half a decade yet already wallows in the same guttering luminance. From the first iris-in on a gambrel roof silhouetted against a sulphur sky, the film announces its palette: burnt umber, bruised violet, and arterial crimson hand-tinted on the bridal nightgown of Lenore..."

