
In Italy, Sister Beatrice becomes the confidante of the Contessa Angelica de Vecchio, whose brother, Prince Candoni, has placed her in a convent for having an affair with Carlo Parodi, a young radical. Angelica soon dies, and Beatrice, suddenly aware that she needlessly has shut herself off from the real world, leaves the convent and joins a group of revolutionaries.
J.G. Hawks, Elaine S. Carrington
United States

A nitrate prayer flickering at 18 frames per second, The Sorrows of Love is less a film than a reliquary: each tinted cell a shard of stained glass catching the tremulous light of 1924. Director J.G. Hawks, moonlighting from his usual scenarist duties, orchestrates a chiaroscuro fever dream in which convent walls brea...

publicity

publicity

still_frame

publicity

still_frame


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Charles Giblyn

Charles Giblyn
Community
Log in to comment.
" A nitrate prayer flickering at 18 frames per second, The Sorrows of Love is less a film than a reliquary: each tinted cell a shard of stained glass catching the tremulous light of 1924. Director J.G. Hawks, moonlighting from his usual scenarist duties, orchestrates a chiaroscuro fever dream in which convent walls breathe like lung tissue and revolutionary banners unfurl with the snap of heretical wings. Ora Carew’s Beatrice arrives veil-first, eyes cast earthward as if the ground itself might ..."


Deep dive into the cult classic
Discover similar cinematic experiences
A Directorial Spotlight on Charles Giblyn