Look, The Streets of London is exactly the kind of movie that makes you appreciate that we invented remote controls. It’s stiff. It’s loud in that way only old theater-trained actors can be, where every whisper sounds like it’s being projected to the cheap seats in the back row. Is it worth your time? Only if you reall...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.
F.W. Thring
F.W. Thring
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"Look, The Streets of London is exactly the kind of movie that makes you appreciate that we invented remote controls. It’s stiff. It’s loud in that way only old theater-trained actors can be, where every whisper sounds like it’s being projected to the cheap seats in the back row. Is it worth your time? Only if you really like the smell of old celluloid. If you’re a completionist for early British cinema, sure, go ahead. But for anyone else? You’re going to be bored by the second act. Ashton Jarry..."
Frank Harvey
Frank Harvey, Dion Boucicault
Australia
