A burlesque on the performance of a traveling theatrical troupe performing the well-known "Uncle Tom's Cabin.".

James D. Davis’s 1927 one-reeler doesn’t merely lampoon Harriet Beecher Stowe—it detonates her under the klieg lights, then tap-dances through the ashes wearing spats and a cocaine-grin. There’s a peculiar thrill in watching a film that refuses to genuflect before its source, that thumbs its greasepaint nose at mora...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

James D. Davis

James D. Davis
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" James D. Davis’s 1927 one-reeler doesn’t merely lampoon Harriet Beecher Stowe—it detonates her under the klieg lights, then tap-dances through the ashes wearing spats and a cocaine-grin. There’s a peculiar thrill in watching a film that refuses to genuflect before its source, that thumbs its greasepaint nose at moral uplift and opts instead for the anarchic calculus of custard pies and collapsing sceneries. Uncle Tom’s Caboose—note the deliberate misspelling that drags the sanctified cabin in..."
Dolly Stoddard
James D. Davis
United States


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