About to be married to a wealthy South African mine owner whom she does not love, Lady Andrea Pellor rebels after she gets her bridal gown on, and seeing an airplane of the beach begs the aviator to take her away. He consents and takes her to his home in the jungle, where she is forced to stay, as the henchmen of his enemy the River Pirate have splintered the propeller and it takes weeks to send for a new one.
body { background-color: #000; color: #fff; }In the midst of a bygone era, a cinematic gem emerged, defying conventions and captivating audiences with its unbridled fervor. 'White Man,' a 1925 silent film, presents a tale of unrelenting passion, rebellion, and redemption, set against the lush backdrop of the jungle.The...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Louis J. Gasnier
Louis J. Gasnier
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"body { background-color: #000; color: #fff; }In the midst of a bygone era, a cinematic gem emerged, defying conventions and captivating audiences with its unbridled fervor. 'White Man,' a 1925 silent film, presents a tale of unrelenting passion, rebellion, and redemption, set against the lush backdrop of the jungle.The narrative unfolds with Lady Andrea Pellor, a high-society belle, on the cusp of marrying a wealthy South African mine owner, a union devoid of love or passion. Her existence, a gi..."
Kenneth Harlan
Eve Unsell, Olga Printzlau, George Agnew Chamberlain
United States
