
In Paris, an addicted artist takes the blame for his married sister's lover..

To traverse the annals of silent cinema is to often encounter relics of moral didacticism, yet Walter Summers’ 1924 effort, Who Is the Man?, emerges as a starkly modern interrogation of the human condition. Unlike the whimsical escapism found in Aladdin and the Wonderful Lamp, this film plunges headlong into the cre...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Walter Summers

Maurice Elvey
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" To traverse the annals of silent cinema is to often encounter relics of moral didacticism, yet Walter Summers’ 1924 effort, Who Is the Man?, emerges as a starkly modern interrogation of the human condition. Unlike the whimsical escapism found in Aladdin and the Wonderful Lamp, this film plunges headlong into the crepuscular depths of Parisian addiction and the agonizing weight of familial loyalty. It is a work of somber beauty, a celluloid confession that feels remarkably prescient in its han..."

Isobel Elsom
Walter Summers, Louis Verneuil
United Kingdom

