Alright, so we're talking about Young Lady from 1930. This one isn't for everyone, let's be super clear. If you're hoping for explosions or snappy dialogue, you'll probably hate it. This is a silent Ozu film, meaning it's a slow burn, full of quiet moments, and *a lot* of looking at people just existing. But if you’re ...
Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Yasujirō Ozu
Richard Smith
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"Alright, so we're talking about Young Lady from 1930. This one isn't for everyone, let's be super clear. If you're hoping for explosions or snappy dialogue, you'll probably hate it. This is a silent Ozu film, meaning it's a slow burn, full of quiet moments, and *a lot* of looking at people just existing. But if you’re an Ozu devotee, or you genuinely love diving into early cinema, then yeah, this is absolutely worth watching. It's a peek into a different world, but with feelings that somehow sti..."
Yasujirō Ozu, Tadao Ikeda, Akira Fushimi, Komatsu Kitamura
Japan
