Any Woman: A Tale of Ambition and Intrigue | Film Critic Review

The narrative of 'Any Woman' unfolds with the return of Ellen Linden, a young woman who has completed her education and is now faced with the reality of her father's financial ruin. This pivotal moment sets the stage for a story of resilience and the pursuit of autonomy in a male-dominated world. Ellen's journey is not merely one of financial survival but also a personal quest for identity and independence.

Upon her return, she takes a job as a secretary at Phillips and Rand, a brokerage firm. The dynamic at the heart of the film revolves around the relationship between Ellen and the firm's two partners, Phillips and Rand. Phillips, characterized by his assertive and aggressive approach, seeks to win over Ellen through a more confrontational and assertive method. In contrast, Rand employs a softer, more flattering strategy, attempting to charm Ellen without the confrontational edge.

However, it is Tom Galloway, a young inventor with a revolutionary soft drink, 'Here's How,' who captures Ellen's heart. His innovation represents not just a new product but a symbol of personal and creative expression. Ellen, driven by her ambition and a desire to support her family, attempts to introduce 'Here's How' to the brokers, believing it could be a game-changer for their business. Yet, her efforts are met with mixed reactions, and the situation becomes more complex when Phillips, incensed by her rejection, devises a plan to sabotage her relationship with Galloway.

Cinematic perspective: Exploring the visual vocabulary of Any Woman (1925) through its definitive frames.

This plot revolves around themes of gender dynamics, professional versus personal aspirations, and the personal and professional consequences of ambition. The film's exploration of these themes is nuanced, offering a perspective on the societal expectations placed on women during the early 20th century and the challenges they faced in a male-dominated industry.

The performances are noteworthy, particularly the portrayal of Ellen by Lawson Butt, who brings a blend of vulnerability and strength to the character. Her interactions with Phillips and Rand are masterfully executed, showcasing the different tactics employed by the two men in their pursuit of her affection. The chemistry between the actors is palpable, especially in the scenes where tensions rise and the stakes are high.

Directorial choices in 'Any Woman' are deliberate and impactful. The cinematography captures the opulence of the brokerage firm and the stark contrast between the public and private spheres of Ellen's life. The film's aesthetic is a reflection of the era, with a keen attention to detail in the set design and costume, immersing the viewer in the period setting.

Cinematic perspective: Exploring the visual vocabulary of Any Woman (1925) through its definitive frames.

The script, penned by Randolph Bartlett, Arthur Somers Roche, Beatrice Van, and Jules Furthman, is rich with dialogue that not only advances the plot but also provides insight into the characters' motivations and inner conflicts. The screenplay is a testament to the writers' understanding of human nature and the complexities of relationships.

Comparatively, 'Any Woman' shares thematic similarities with films like 'Going Straight,' which also explores the dynamics between a woman and her male counterparts in a professional setting. However, 'Any Woman' delves deeper into the personal aspects of these relationships, making it a more intimate and engaging narrative. The film's structure, with its focus on Ellen's journey, provides a compelling narrative arc that keeps the audience invested in her story.

Moreover, the film's handling of gender roles and the portrayal of women in the workplace are particularly noteworthy. It offers a nuanced view of the expectations placed on women during this period, highlighting both the constraints and opportunities they faced. This makes 'Any Woman' not just a story of personal growth but also a commentary on societal change.

Technical aspects of the film, including cinematography by Ray Rennahan and the musical score by Joseph Carl Breil, enhance the overall viewing experience. Rennahan's work captures the grandeur of the brokerage firm and the intimate moments between characters, while Breil's score adds a layer of emotional depth to the narrative.

Overall, 'Any Woman' is a well-crafted film that successfully balances romance, drama, and social commentary. It offers a rich and multifaceted narrative that resonates with contemporary audiences, making it a must-watch for those interested in classic cinema and its exploration of complex human relationships.