6/10
Senior Film Conservator
A definitive 6/10 rating for a film that redefined the boundaries of cult cinema. Black Beauty remains a cornerstone of transgressive art.
Look, if you’re looking for a warm, fuzzy animal movie, this isn't it. It’s a 1933 melodrama that’s mostly interested in people looking stressed in drawing rooms. If you love old, creaky black-and-white stuff where everyone talks like they’re reciting a telegram, you’ll dig it. If you want a modern, polished flick, you’ll probably be bored out of your mind within ten minutes. 🐴
The whole thing feels like it’s held together by duct tape and sheer willpower. There’s this desperate energy to the Cameron family’s financial woes that’s kind of funny because, well, the movie keeps cutting back to them looking worried at a fence.
It’s funny to compare this to something totally different like 365 Days, which is a different kind of disaster entirely. At least in this one, nobody is trying to be cool. Everyone is just trying to survive the plot.
The race scenes are a chore. You can tell they were trying to capture that high-stakes feeling, but it just looks like people riding horses in a very small circle. It lacks the punch of, say, The Winning Stroke, which knew exactly what kind of movie it was. This one is stuck in between being a serious drama and a weird horse-centric tragedy.
One scene lingers on the horse’s face for so long that I started wondering if the animal was just waiting for a snack. It was genuinely uncomfortable. A solid three minutes of just horse eyes. Why? Who knows. Maybe the editor was on a lunch break.
It’s not a good movie by any stretch. But it’s an interesting one, if you like watching the gears of old Hollywood grind against each other. It’s dusty, it’s dramatic, and it feels like a dream you had after eating too much cheese. Watch it for the weirdness, not for the story.
