6.6/10
Senior Film Conservator

A definitive 6.6/10 rating for a film that redefined the boundaries of cult cinema. Broken Toys remains a cornerstone of transgressive art.
Honestly, only if you like your animation with a heavy side of existential dread. If you’re looking for something light and bouncy, look elsewhere. People who enjoy the darker, weirder side of old-school cartoons—the kind that feel like a fever dream—will dig this. If you need your movies to be strictly "happy" or "wholesome," you’re gonna have a bad time.
The whole thing starts in a junkyard. It’s not the charming, whimsical kind of junk, either. It’s just a pile of discarded plastic and fabric. It feels damp just looking at it.
When the new sailor doll shows up, you expect some kind of heroic rally cry. You get one, sure, but the atmosphere is so bleak that it feels almost frantic. It reminds me a bit of the weird energy in The Animal Fair, just with less fur and more existential weight.
The animation is fascinating. It’s not smooth, but that’s the point. The dolls look like they’ve actually lived, or at least died once already. The way they move is jittery, like they’re trying to shake off the dust of the dump.
There is this one moment where a doll with a missing limb tries to dance. It isn't played for laughs, which surprised me. It’s just... there. It lingers just long enough to make you feel uncomfortable. It reminded me of some of the rougher bits in The Fiddlin' Doll, where you can see the effort put into the movement but the subject matter feels strangely heavy.
The pacing is all over the place. Sometimes it sprints, sometimes it just stops to stare at a broken toy for five seconds too long. It’s not polished. It feels like someone made this in a shed while drinking too much coffee.
I don't think this movie tries to be deep. I think it’s just naturally sad because of the premise. Who wants to watch a doll realize it’s trash? It’s not like Keystone Comedies where the chaos is the point. Here, the chaos is just a symptom of being broken.
The voice work is surprisingly grounded. None of that high-pitched, manic cartoon yelling you hear in everything else. It’s weary. It sounds like people who are tired of being in a dump.
I kept waiting for a big, flashy musical number to fix everything, but it never really hits that note. It stays in the mud. I kind of respect that.
It feels like a relic. Like something you’d find on a dusty tape in the back of a rental store that nobody ever checks. 🧸
It’s not a masterpiece. It’s just a weird, little cartoon that refuses to be happy. Sometimes, that’s exactly what you need.

IMDb —
1918
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