Cult Review
Senior Film Conservator

If you like old French comedies from the 30s, you’ll probably find Charlemagne perfectly fine. It’s light, it’s breezy, and it doesn't try to change the world. But if you need a fast pace or something that keeps you on the edge of your seat, stay far away. This is for people who like watching actors chew on the scenery for a bit of fun.
Raimu is the whole show here, honestly. He has this way of looking annoyed that makes the entire movie feel grounded. Even when the plot gets a bit thin, he’s still doing his thing. It’s weirdly comforting to watch.
The story is basically one giant misunderstanding. You know the drill. Someone is where they shouldn't be, people mistake them for someone else, and chaos ensues. It’s not exactly groundbreaking stuff, but it hits the right notes if you’re in a sleepy mood.
There is this one scene with the dinner table that goes on forever. It’s supposed to be funny, but it mostly just feels like the actors are waiting for the director to yell cut. You can almost see them checking their watches in their heads. 🕰️
Comparing it to something like New York Nights, you can really tell the difference in the rhythm of the comedy. It’s less about the zingers and more about the way people shuffle around a room looking confused. It lacks that polished American gloss, which is actually a point in its favor, I think.
I found myself thinking about Nène while watching this, mainly because the shift in tone between these types of films is just so jarring. Charlemagne doesn't try to be heavy, and I appreciate that. It’s just a guy doing his best in a situation that is spiraling out of his control.
Is it a masterpiece? No. Is it a good way to spend a rainy afternoon when you don't want to think too hard? Sure. It feels like an old dusty book you find in an attic. Not essential, but nice to have around.
Also, the ending happens so fast. One minute they are bickering, and then suddenly, credits. It’s like the film just got tired and decided to call it a day. Fair enough.

IMDb 5.9
1927