7.9/10
Senior Film Conservator

A definitive 7.9/10 rating for a film that redefined the boundaries of cult cinema. Ciocoii remains a cornerstone of transgressive art.
Alright, so Ciocoii. It's not for everyone, let's be super clear on that. If you're someone who loves those old, intense silent-era dramas, the ones where emotions are big and consequences are even bigger, then yeah, you might find this worth your time. But if you’re looking for something light, or a film that feels modern in any way, you will likely hate it. It’s heavy, and it asks a lot from you.
The whole thing centers on Alexis the Fanariot. He’s presented as this charming 'adventurer' from Fanar, but don’t let that fool you. From his very first scene, Lucian Stanescu, playing Alexis, just oozes this slick, dangerous charisma. You can almost see the gears turning in his head, always calculating.
He sets his sights on Kira Agrippina, the landlady. Eleonora Krjanowska plays Kira with this almost heartbreaking vulnerability. You watch her fall for Alexis, and it feels like watching a slow-motion car crash. She’s completely under his spell. That’s the setup.
Then comes the truly awful part. Alexis, with chilling ease, manipulates Kira into killing her own husband. The scene itself is… well, it’s not subtle. It’s dramatic and theatrical, as you’d expect from an older film. But the sheer *implication* of it, the way Kira’s face contorts, that really stays with you. It’s a moment designed to shock, and it absolutely does. 😨
After that, it's just a downward spiral. Alexis wastes no time. He swoops in, takes all her property. Her world, which was once secure, just vanishes. Like that. 🤏 The movie doesn't dwell on the specifics of the transfer, just the brutal fact of it.
And then, to make things even worse, he dishonors her daughter. Iva Dugan, as the daughter, plays this with a quiet, devastating despair. It’s the final, cruel twist of the knife. You almost wonder how much more tragedy one family can endure. The film doesn't pull any punches here. It’s meant to be devastating.
The pacing of Ciocoii is interesting. Some moments feel drawn out, letting the emotion sink in, especially in the close-ups of the actors' faces. Other crucial plot points, like the swift taking of property, happen almost abruptly. It keeps you a little off balance.
I remember one shot, quite early on, where Alexis is just looking out a window, a slight, almost imperceptible smile playing on his lips. It’s such a small thing, but it tells you everything you need to know about his character. He’s already planning. You just know it.
The use of light and shadow throughout the film is pretty striking, too. Especially in the interior scenes, it really emphasizes the mood. When Kira is making her terrible choice, the shadows seem to swallow her.
This film doesn't care about making its characters likable, or even particularly relatable in a modern sense. It’s about consequences. It’s about watching a terrible person do terrible things, and the ruin left in their wake. 💔
Honestly, it’s a tough watch. Not because it’s graphically violent, but because the emotional cruelty is so stark and relentless. It gets under your skin. You can almost feel the movie trying to convince you this moment matters. And it does.
It’s a story that feels ancient, almost like a dark fable. It's a reminder that some human evils, like greed and manipulation, don't really change, no matter the era.
Did I enjoy it? 'Enjoy' might be the wrong word. But I definitely found it compelling. It’s a powerful, if grim, piece of cinema history.

IMDb 6.5
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