Cult Review
Senior Film Conservator

If you're the type of person who needs a clean narrative with a clear hero, skip this. You'll likely hate the lack of closure and the way the plot just sort of drifts into the fog. But if you dig old-school Japanese cinema that feels a bit dusty, moody, and intentionally disjointed? You might find something here.
There's this heavy, suffocating feeling to the whole thing. It doesn't hold your hand. It just drops you in the middle of a conflict that feels like it’s been going on for a hundred years before the cameras even started rolling.
There is a scene near the middle—you'll know it when you see the lighting shift—where the lead just stares off into nothing. It lasts about five seconds too long. I actually checked to see if my player had frozen. It hadn't. That pause was just weirdly deliberate.
You can tell the director wasn't trying to make everyone happy. The characters are all kind of rotting from the inside out. It reminds me a bit of the suffocating atmosphere in Manon Lescaut, where the beauty is just a thin layer over a whole lot of bad decisions.
Honestly? It’s not a movie you 'enjoy' in the traditional sense. It’s a movie you sit with. It’s a bit of a mess, and the plot threads feel like they were cut with blunt scissors, but there's a magnetism to it. 🗡️
It’s not perfect. Sometimes the sets look like they might fall over if someone sneezed. But that just adds to the charm, right? It feels like it was made by people who cared more about the mood than the continuity.
Don't expect it to resolve. It just sort of... stops. Like a conversation where someone walks out of the room and never comes back.

IMDb —
1920