Cult Review
Senior Film Conservator

Honestly, only if you’re into weird, dusty film archives or if you have a bizarre fascination with how golf balls were made during the Great Depression. If you’re looking for a plot, you’re in the wrong place. This is just a series of vignettes that don't really talk to each other.
It feels like stumbling onto a weird channel at 3 AM. One minute you’re watching someone pour liquid into a rubber core, and suddenly you’re on a boat in Arizona.
The transition between the golf ball factory and Canyon Lake is just… non-existent. Lowell Thomas just pivots. It reminded me a bit of the frantic, disjointed energy you find in Screen Snapshots, Series 9, No. 12 where everything is just a collection of "stuff" rather than a story.
The segment on Olvera Street in LA feels like a staged postcard. Everyone is smiling a bit too hard. It’s picturesque, sure, but it feels like a movie set even when it’s supposed to be real life.
It’s a short watch. If you like this kind of thing, it’s a nice way to kill ten minutes. It’s definitely more interesting than watching Is Money Everything?, which honestly felt like a chore compared to the random imagery here. 🎞️
This film is a bit like a scrapbook found in an attic. You don’t know why the photos are together, but you keep flipping the pages anyway.
IMDb Rating
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Deciphering the legacy of transgressive cult cinema.
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