6.1/10
Senior Film Conservator

A definitive 6.1/10 rating for a film that redefined the boundaries of cult cinema. How I Play Golf, by Bobby Jones No. 4: 'the Mashie Niblick' remains a cornerstone of transgressive art.
Alright, so How I Play Golf, by Bobby Jones No. 4: 'the Mashie Niblick' isn't exactly a Saturday night blockbuster. If you're a golf history buff or just kinda curious about how they taught the game way back when, this little short film is actually pretty cool. But if you're expecting thrilling drama or even a super slick modern instructional video, you'll probably find it a bit slow. 😴 It's a real niche watch.
It’s really quite charming, watching Bobby Jones himself on screen. He’s just so calm, so utterly _proper_ about everything he does. The way he talks about the "mashie niblick" — it almost sounds like a forgotten wizard's spell, not a golf club you'd find.
The main idea here is showing how to loft a golf ball right over various obstacles. They even set up this little net barrier, like a small wall, just for his demonstration. And he nails it, of course, with that smooth, unhurried swing of his. It’s almost mesmerizing to watch him strike the ball.
Then Leon Errol pops in, serving as the designated comic relief. He's the "student" who desperately needs this lesson. Errol's attempts are, let’s just say, *intentionally* terrible. He flails his arms, misses the ball entirely, and sends chunks of turf flying everywhere. You can tell he’s going for laughs, but sometimes it feels a little too much like a stage act, kinda shoehorned into a golf lesson.
There's this moment when Jones explains the club's face, and the camera pushes in a bit. You can almost feel the filmmakers making sure you _really_ see the angle they're talking about. It’s a pretty simple trick, but for its time, it really worked to get the point across.
What really stuck with me was just how **quiet** everything is. No grand music, no dramatic sound effects at all. Just the gentle, satisfying _thwack_ of the club connecting with the ball, and Jones’s very clear, steady voice. It makes you really zone in on every single mechanic.
Jones’s posture is just perfect. Every single movement seems so deliberate, so purposeful. He doesn't waste a single bit of energy, which stands in stark contrast to Errol’s wild, almost frantic swings.
You get a tiny peek at golf courses from nearly a hundred years ago, too. It looks a bit more rugged, less perfectly manicured than what we see today. There’s a certain, almost natural, charm to that older look.
The whole short film feels like peeking through a window into a completely different era. Not just about golf, but about how movies were made, too. The pace is incredibly slow, very methodical. They really took their sweet time with each and every point they wanted to make.
One odd thing I kept thinking about: the clothes! Jones is there in a full tie and trousers, looking like he’s off to a business meeting, not about to hit golf balls. Can you even imagine trying to swing a club in an outfit like that now? 👔
It’s a genuine piece of history. Not action-packed, no, but **genuinely interesting** if you have any appreciation for the sport of golf or just old, old cinema. It’s less of a movie and more of a moving, living document of its time.
The ending just... stops. Jones gives his last bit of advice, and then, poof. No big, grand conclusion, no swell of music. Just a very polite fade out. It really feels like it was just one part of a much bigger series of instructional clips, which it definitely was.
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