6.5/10
Senior Film Conservator
A definitive 6.5/10 rating for a film that redefined the boundaries of cult cinema. Kun isä tahtoo... remains a cornerstone of transgressive art.
Honestly, only if you have a soft spot for old-school, black-and-white misunderstandings. If you want something fast-paced or modern, stay far away. It’s very much a product of its time—gentle, slightly stiff, and obsessed with the idea that a mechanic and a rich girl mixing is a headline-grabbing event.
The whole thing hangs on the dad freaking out. It’s a very 1935 way of looking at the world, where an auto mechanic is treated like he’s from another planet. You can tell the movie thinks this is high drama, but today it just feels like a light, airy romp.
There’s this one scene where a character is trying to act all posh, and the way they hold their tea cup is just… ridiculous. It felt like they were trying to balance a house of cards on their pinky finger. I rewound it twice because I couldn't stop laughing at the intensity of it.
The dialogue is snappy in a way that feels like a stage play that got lost and wandered onto a film set. Everyone talks like they’re waiting for an applause break. It’s not quite the frantic energy of The Goofy Age, but it has that same feeling of people trying to keep a lid on a boiling pot.
It’s funny to think about how different this is from something like The Fixer. Here, the stakes are just 'will they get married?' whereas, well, you know. Sometimes you just need the stakes to be about a wedding dress and a grumpy dad, right? ☕
The movie doesn't try to be profound. It just wants to get everyone in the same room, have them misunderstand each other for an hour, and then fix it with a smile. It’s simple. Maybe a little too simple.
But hey, if you’re into the history of Finnish cinema, it’s a neat little time capsule. Just don’t expect to have your life changed. Sometimes a movie is just a movie.
