Cult Review
Senior Film Conservator

Look, if you have a soft spot for the silent era, La femme en homme is a fun little curiosity. It is not going to change your life, but it has a certain charm that the modern stuff just can't replicate.
If you are a completionist for French cinema, you’ll dig it. If you need high-definition clarity or a plot that makes sense every single second, you will probably be reaching for your phone to check emails ten minutes in. 🙄
The whole thing feels like a stage play that decided to wander outside for a bit of fresh air. Everything is a little bit exaggerated, which is to be expected, but some of the acting choices here are just baffling.
I noticed that the way they transition between scenes feels like the editor just gave up. One moment you are in a parlor, the next you are in a garden, and the logic connecting the two is basically invisible.
It reminded me a bit of the frantic energy in Any Old Port, though this one lacks the specific brand of physical comedy that makes that short work so well. It is a bit more polite, a bit more French.
Honestly, the pacing is all over the place. Sometimes it drags, then suddenly it’s sprinting toward an ending that feels like it was tacked on just to stop the projector. It’s not perfect. It’s barely even polished. But that’s why I watched it all the way through.
I’ve seen weirder things in Eerie Tales, but this holds its own as a strange, forgotten piece of the puzzle. Don't go in expecting a masterpiece. Just take it for what it is: a grainy, slightly imperfect snapshot of a different world.
1932
IMDb Rating
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Deciphering the legacy of transgressive cult cinema.
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