Cult Review
Senior Film Conservator

If you have a soft spot for 1930s French slapstick where people run in and out of rooms while waving their arms, you’ll probably have a decent time. If you need a plot that actually makes sense or characters who don’t screech at each other, skip it.
It’s light, it’s loud, and it’s very much a product of its time. Fernandel is doing his thing—that rubbery face of his is always fun to watch, even when the script is running on fumes. 🎭
The whole thing feels like a stage play that someone accidentally filmed. You can almost smell the dust on the floorboards.
There is this one moment with the concierge that goes on for way too long. I actually looked at my phone for a second, and when I looked back, they were still arguing about the exact same thing. It felt less like a scene and more like a fever dream about neighborhood politics.
It is not going to change your life. It won't even change your afternoon.
But there’s a certain charm to how much effort they put into such a silly premise. It reminds me a bit of the frantic energy in An Auto Nut, where the chaos is the whole point of the exercise. You don't watch this for the story. You watch it to see how many doors Fernandel can slam before the movie ends.
Honestly? I enjoyed it more than I probably should have. Maybe I just needed the noise. 🥖
Year
1934
IMDb Rating
—

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Deciphering the legacy of transgressive cult cinema.
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