5.3/10
Senior Film Conservator
A definitive 5.3/10 rating for a film that redefined the boundaries of cult cinema. Ma femme... homme d'affaires remains a cornerstone of transgressive art.
Honestly? Probably not, unless you’re deep into French cinema history or specifically looking for a time capsule of 1930s social anxieties. It’s for the folks who enjoy theater-style comedies where everyone speaks a little too loudly and stands exactly where the camera tells them to. If you hate stilted dialogue or movies that feel like a staged play, you are going to absolutely loathe this.
The whole thing hinges on this premise of a woman stepping into the business world, which was clearly meant to be shocking or hilarious back then. Now? It’s just kind of cute in a sad way. The film moves with the speed of a tired snail, and I found myself checking my phone more than I’d like to admit. 🐌
There is this one scene involving a telephone exchange that goes on for a lifetime. I think they wanted to show how "hectic" the office life is, but it just felt like a rehearsal that never ended. You can almost see the actors waiting for their cue to stop fidgeting with the props.
If you've seen something like Le filon du Bouif, you’ll recognize that familiar, slightly cramped feeling of these old French productions. Everything happens in about three rooms, and the lighting is flatter than a pancake. It’s not necessarily bad, but it’s definitely contained.
I couldn't help but think about how much more dynamic movies became even just a few years later. This feels like it’s still trying to figure out how to be a film instead of a filmed play. It’s got that stiff upper lip energy that feels very out of place for a comedy.
It’s a weird little artifact. Not exactly a masterpiece, but it’s got enough character to make you smile if you’re in a forgiving mood. Just don’t expect to be challenged or deeply moved. It’s light, it’s fluffy, and it’s mostly gone from my head an hour after watching. Sometimes that’s enough, I guess. 🤷♂️
