Cult Review
Senior Film Conservator
If you love dusty British stage farces from the early talkie era where everyone yells and doors slam, yes, My Wife's Family is worth your time. But if you get annoyed by dumb misunderstandings that could be solved in two seconds, you will absolutely hate this. 🎹
It is pure 1931 chaos, mostly taking place in a garden that looks suspiciously like a stage set.
Jack (Gene Gerrard) wants to surprise his wife with a new piano. But his loud-mouthed mother-in-law, played by Amy Veness, overhears a conversation and thinks he is hiding a secret baby instead.
That is the whole plot. Seriously, they stretch this one joke for over an hour.
It has that same clunky, echoey sound-era vibe you find in early British talkies like The W Plan, but with way more screaming. The microphone technology back then clearly was not ready for Amy Veness.
She does not just speak her lines. She blasts them like a foghorn, and I had to turn my TV volume down twice. 📢
There is a bit where a guy tries to hide a baby carriage behind a bush and he looks so terrified. Not because of the plot, but like he is worried the heavy microphone hanging above his head is going to fall and conk him on the skull.
The pacing is totally uneven. The first twenty minutes drag so much you might want to take a nap, but then the last act goes so fast it feels like a cartoon. 🏃♂️
It is not high art, and some of the jokes are older than my grandmother. But there is a weird, frantic energy here that you just do not see anymore.
I actually laughed out loud once when a plate got dropped and the sound effect came in about three seconds too late. It is those little imperfections that make these old movies so fun to dig up.
Do not expect anything deep here. Just expect a lot of running around, some terrible mustaches, and a lot of silly shouting about pianos.
