5.7/10
Senior Film Conservator

A definitive 5.7/10 rating for a film that redefined the boundaries of cult cinema. Na tý louce zelený remains a cornerstone of transgressive art.
If you want something that feels like a warm, slightly dusty blanket from your grandmother's house, then yes. It is definitely worth it for the vibes alone.
People who love Oldřich Nový will be in heaven because he is doing that thing where he looks incredibly polished even when everything is going wrong. If you hate people bursting into song in the middle of a conversation, you should probably go watch something else entirely.
The movie is called Na tý louce zelený, which basically means 'On That Green Meadow.' It’s based on an operetta, and you can really tell because the sets look like they were built on a stage and then someone just decided to point a camera at them.
There is this one scene where they are all 'outdoors' in the forest. The lighting is so bright and flat it’s almost like they are standing inside a giant lightbulb. It’s charming, though. In a way that modern movies just can't recreate because we are too obsessed with things looking 'real' now.
Oldřich Nový plays Skalický. He has this specific way of walking—sort of a confident glide—that makes everyone else in the scene look like they are tripping over their own feet. It’s funny because his character is supposed to be part of this messy plot about an estate and a lady named Hana, but he never actually looks stressed.
I noticed his tie is perfectly knotted in every single frame. Even when he’s supposed to be out in the wild. It’s a bit of a miracle, really.
Věra Ferbasová is also in this, and she’s like a ball of pure energy. Sometimes she’s a bit much? Like, she talks so fast I felt like I needed to pause the movie just to catch my breath. But her chemistry with the rest of the cast keeps the whole thing from sinking into a boring drama about land ownership.
Speaking of land ownership, the plot is kind of a mess. It’s all about who owns what and who is marrying who for the sake of the property. It reminds me a bit of the social maneuvering in Merely Mary Ann, but with more beer and hunting dogs.
There is a lot of hunting in this movie. Or at least, people talking about hunting. They wear these outfits that are just... incredible. The hats are so small they look like they were made for children, but these grown men are wearing them with total seriousness.
I spent about ten minutes just looking at the background extras during the hunting party. Half of them look like they aren't sure why they are there. One guy in the back is just staring at a tree for no reason. It’s these little mistakes that make me love old cinema. It feels human.
The music is catchy, I guess. The main theme is one of those songs that will get stuck in your head and stay there for three days straight. I found myself humming it while making coffee this morning, which was annoying but also kind of nice.
It has that same 'man about town' energy you see in His Picture in the Papers. It’s about people who don't really have jobs but have a lot of problems that could be solved by just talking to each other for five minutes.
One reaction shot of a dog looking confused during a song is probably the best part of the second act. The dog clearly didn't know it was in a musical. I felt for that dog.
The cinematography isn't exactly groundbraking. It’s mostly just people standing in a line talking to each other. But the black and white film stock has this silvery glow that makes everyone’s skin look like porcelain. It’s a very pretty movie to look at if you ignore the fake trees.
It’s not a masterpiece that will change your life. It won't make you think about the deep meaning of existence. But it’s a good time. It’s 1936, the world was about to get very dark, and you can feel the movie trying really hard to make everyone forget that for ninety minutes.
I like that it doesn't try to be smart. It just wants to show you some nice people in nice clothes singing about a meadow. Sometimes that’s enough. 🌲🎵
If you enjoy this, you might also like A Great Big Bunch of You for that same kind of lighthearted, old-world silliness.
The ending is exactly what you think it will be. No surprises here. Everyone gets what they want, and the music swells, and you feel okay about the world for a second.
Oh, and watch out for the scene with the wine bottles. I’m pretty sure one of the actors almost dropped theirs but caught it at the last second. They kept it in the movie. I love that.

IMDb 6.1
1934
Community
Log in to comment.