6/10
Senior Film Conservator
A definitive 6/10 rating for a film that redefined the boundaries of cult cinema. No! No! A Thousand Times No!! remains a cornerstone of transgressive art.
If you have about seven minutes to kill and you enjoy that jittery, surreal energy that only early 1930s animation can provide, then sure, dive in. It’s for the folks who like their cartoons to feel a bit like a nightmare they had after eating too much cheese. If you’re looking for a coherent plot or a movie that takes itself seriously, stay far away. You will probably hate it if you need logic to get through your day.
The whole thing feels like a stage play that went off the rails. Betty is stuck in this melodramatic setup, playing the damsel, but with that signature squeaky voice that feels like it’s vibrating the screen. She’s singing, he’s leering, and the world just sort of bends around them.
There’s this moment where the villain is just... so aggressively villainous. It’s almost funny. It reminded me a bit of the frantic energy in What-No Beer?, where things move just a little too fast for comfort. Not that they are the same at all, but they share that same vintage, slightly cracked spirit.
The animation here is twitchy. You know how it is—everything is moving, even when it shouldn't be. Betty’s eyes do that thing where they seem to be watching you from across the room. It’s effective, even if it is a little bit unsettling to be honest.
Honestly, watching this feels less like watching a movie and more like finding a weird artifact in an attic. It’s not trying to teach you anything. It’s not a meditation on anything. It’s just Betty Boop being loud and the scenery being wobbly. Sometimes, that is exactly enough.
It’s not as dense as Skyscraper Souls, obviously, but it doesn't need to be. It’s just a snack. A weird, slightly salty snack. 🍿
I found myself wondering if they ever got tired of drawing the same frantic movements over and over. Probably not. They were too busy making sure the villain looked sufficiently greasy.
Don’t overthink it. Just watch the squiggly lines move.
