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7/10
Senior Film Conservator
A definitive 7/10 rating for a film that redefined the boundaries of cult cinema. Paths to Paradise remains a cornerstone of transgressive art.
Edgar Kennedy and Leo White star in 'Paths to Paradise', a 1930s con game film that delves into the world of deception and ambition. The plot unfolds in a city where a con-woman, played by Ellinor Vanderveer, runs a business that caters to gullible tourists seeking an 'underworld' experience. Her modus operandi is to fleece these individuals, all the while maintaining a facade of charm and sophistication.
The twist comes when one of her victims turns out to be less innocent than expected. This revelation sets in motion a series of events that not only threaten her business but also her personal life. The city detective, known to her by sight and recognized by her for her skills, is determined to bring her down. This adds a layer of tension and urgency to the narrative, as she must navigate the dangerous game she’s playing.
As if the challenge wasn't enough, she becomes entangled in a race against a rival who has a valuable diamond pendant in his sights. The plot thickens as she tries to outsmart both the detective and the potential thief. The film is a masterclass in suspense and intrigue, with each scene building on the last, creating a sense of anticipation and excitement.
Edgar Kennedy, known for his comedic timing, plays a detective who is both relentless and cunning. His character adds depth to the narrative, serving as both antagonist and foil to the con-woman’s character. Leo White, on the other hand, brings a sense of elegance and charm to the table, making his character’s presence both seductive and threatening. Their interactions add a layer of complexity to the story, making the film a thrilling experience.
Ellinor Vanderveer delivers a performance that is both captivating and nuanced. Her character is a con-woman who is not just a manipulator but also a victim of her own circumstances. She has a magnetic presence that draws the audience into her world, making the audience root for her success while also feeling the tension of her impending downfall.
The script, penned by Paul Armstrong and Keene Thompson, is sharp and witty, with dialogue that is both clever and engaging. The plot is intricately woven, with twists and turns that keep the audience on the edge of their seats. The film has a noir-like atmosphere, with scenes that are both glamorous and gritty, reflecting the dual nature of the characters.
The cinematography is a highlight of the film, with scenes that are both visually stunning and emotionally charged. The use of shadows and lighting adds to the noir aesthetic, creating a mood that is both tense and atmospheric. The setting of the city adds to the film’s authenticity, with scenes that are both familiar and exotic.
While the film is a classic of its genre, it does have its flaws. Some of the supporting characters feel underdeveloped, and the resolution of the plot feels a bit rushed. However, these minor issues do not detract from the overall quality of the film.
For those interested in classic con games and the art of deception, 'Paths to Paradise' is a must-watch. It is a film that not only entertains but also challenges the audience to think about the nature of deception and ambition. The performances are top-notch, and the plot is a masterful blend of suspense and intrigue.
When comparing 'Paths to Paradise' to other films, it stands out among its contemporaries. Films like 'Just a Good Guy' and 'King Solomon's Mines' provide a different perspective on the con game genre, but 'Paths to Paradise' offers a unique take on the subject matter. It is a film that is not just about the con but also about the characters who are caught in the web of deceit.
In conclusion, 'Paths to Paradise' is a film that is both entertaining and thought-provoking. It is a classic of its genre, with a plot that is both intricate and engaging. The performances are top-notch, and the film is a must-watch for anyone interested in the art of deception and the classics of the 1930s.
IMDb 4.9
1937
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