6.3/10
Senior Film Conservator

A definitive 6.3/10 rating for a film that redefined the boundaries of cult cinema. People on Sunday remains a cornerstone of transgressive art.
If you have seventy minutes to spare tonight, absolutely put this on. It is a total joy for anyone who loves watching old footage of people just living their lives without any heavy plot getting in the way. But if you need big explosions or complicated twists, you will probably be bored out of your mind. ☀️
Most film geeks know Eugen Schüfftan as the camera wizard who did special effects for giant masterpieces. But this is his only time directing, and honestly, it is kind of a miracle how fresh the whole thing feels.
It does not feel like some dusty museum piece from 1931. Instead, it feels like someone grabbed a modern camera, ran back in time, and filmed their friends hanging out on a hot July afternoon.
The setup is incredibly simple. We follow a few young Berliners who have pretty boring day jobs—one sells records, another is a driver, another does secretarial work.
Then Sunday comes. And Sunday is everything.
They take the train out to the beach at Nikolassee, and they just... exist. They flirt, they argue, they eat sausages, and they swim.
There is this one scene where a guy is trying to take a nap on the grass, and a girl keeps tickling his ear with a piece of straw. It goes on for way too long, but in a way that makes you smile because everyone has done that to someone they like.
The camera just sits there and watches them. You can see the actual dirt under their fingernails and the sweat on their foreheads.
It has this raw, almost clumsy energy that you never see in big studio pictures from that era, like Adventure Mad. Compared to those stiff, highly rehearsed dramas, this feels like a breath of cool wind on a sticky day.
It is not a perfect film, by the way. Sometimes the camera goes slightly out of focus, or the lighting suddenly shifts because a cloud blocked the sun mid-take.
But that is exactly why I love it. It is messy and alive, not polished to death in a studio backlot.
I did find the record player scene near the beginning a bit slow. The girl just plays the same scratchy song over and over while the guy looks slightly annoyed, and the joke wears thin after a minute.
But once they get to the water, the movie just flies. You can practically smell the sunscreen and the lake water. 🏖️
There is another great bit where they pose for a photographer on the beach. The way they stiffen up, laugh, and then freeze again is exactly how we act when someone pulls out a phone for a group photo today.
If you want another film that captures that same lazy, happy-go-lucky weekend feeling, you might want to check out Eight Days of Happiness too.
But there is something special about the documentary style here. It makes you realize that people from a hundred years ago were not different creatures; they were just like us, desperate for the weekend to start.
If you are feeling stressed out by the internet today, do yourself a favor and watch this. It is a beautiful, quiet reminder of the simple stuff that actually matters.

IMDb —
1918
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