4.9/10
Senior Film Conservator

A definitive 4.9/10 rating for a film that redefined the boundaries of cult cinema. Pigskin Capers remains a cornerstone of transgressive art.
Is this worth watching today? Only if you have six minutes and a high tolerance for old-timey animal squeaking. If you grew up on Tom and Jerry, you’ll probably find this interesting in a 'where did this come from' kind of way. People who want a plot or actual character development will definitely hate it.
So, Pigskin Capers. It’s a Paul Terry cartoon, which means it has that specific bouncy rhythm where everything moves even when it’s standing still.
The premise is simple: it’s a football game between cats and mice. But before the game even starts, there is this long sequence of animals trying to get into the stadium.
There is a bit with a turtle trying to get through the gates that feels like it belongs in a different movie. It's just a little bit too slow compared to the rest of the madness.
The mice are the underdogs, obviously. But they use these insane gadgets to win, which is always the best part of these old shorts.
One mouse has a helmet that is basically a giant iron bell. When a cat hits him, the cat just vibrates into pieces.
I noticed the crowd in the background is just a flickering mess of black and white shapes. If you stare at them too long, it’s actually kind of creepy.
It reminds me a bit of the weird energy in Noisy Noises, where the sound is just as important as the drawing. The music in this one never stops, not even for a second.
The cats are drawn with these very long, noodle-like arms. In one scene, a cat gets stretched out so far across the field that he looks like a piece of gray spaghetti.
The animation stays on that stretched-out cat for a beat too long. It’s funny, but also makes you wonder if the animator just liked drawing suffering.
Margie Hines does some of the voices here. She’s famous for being Olive Oyl later on, but here she’s mostly just doing high-pitched squeals.
There isn't really a story, it’s just one gag after another. It’s much more chaotic than something like One Week, which actually has a logic to its stunts.
In this movie, the logic is just 'whatever looks fast and loud is good'. I respect that kind of commitment to nonsense.
There is a weird moment where the ball turns into a live pig. I mean, the movie is called Pigskin Capers, so I guess they had to do it.
But the pig looks genuinely confused to be there. I felt bad for the little guy for a split second before a cat kicked him.
If you're in the mood for something more grounded, maybe try The Gray Mask instead. This is strictly for when your brain is tired and you want to see shapes move fast.
The ending is so abrupt it’s almost a jump scare. The game ends, a whistle blows, and the screen just goes black.
It’s not a masterpiece, but it’s a decent look at how animators handled sports before they had to worry about things like physics or 'making sense'.
It’s an okay way to spend a coffee break. Just don't expect to remember it by dinner time.

IMDb 4
1918
Community
Log in to comment.