Cult Review
Senior Film Conservator

If you have a soft spot for older, melancholy dramas that don't care about rushing the plot, give it a go. But if you need a pick-me-up or something that moves with a modern pace, you will probably be staring at the wall within twenty minutes. It’s a heavy one, folks. 🌧️
The whole thing feels like a long, sad sigh. We follow this farm boy who thinks he’s trading up by moving to the city and marrying an heiress. We all know how these stories go, right? It’s rarely a fairy tale.
The city scenes have this weird, suffocating feeling. Everything is too polished, too cold. You can almost see the guy shrinking inside his fancy suits. He’s clearly a fish out of water, but he’s trying so hard to pretend he belongs.
Then the marriage falls apart. It happens with this quiet, brutal efficiency that actually hurt to watch. No big shouting match, just a door closing. It reminded me a bit of the suffocating social pressures in Hai-Tang, where the world just isn't built for the characters to actually be happy.
I found myself thinking about Bright Lights while watching this, mainly because of that same crushing realization that the "big city" is often just a prettier cage. It’s not that the movie is preachy, it’s just… honest. Too honest sometimes.
There’s a moment near the end where he just sits on the porch. He doesn't say anything. The camera just hangs there for way longer than feels comfortable. It’s perfect. It captures that exact feeling of having nothing left to say.
Is it perfect? No. Some of the middle beats feel like they are spinning their wheels just to get the clock to a certain length. But honestly, I didn't mind the filler. It let the dread set in properly.
Not a movie to watch on a Friday night with a group of friends. Watch it alone, maybe on a rainy Sunday when you’re feeling a bit reflective. Or don't. It’s a tough watch, but it’s one that sticks to your ribs like cold porridge. 🥣