5.3/10
Senior Film Conservator

A definitive 5.3/10 rating for a film that redefined the boundaries of cult cinema. Siam to Korea remains a cornerstone of transgressive art.
If you have a thing for black-and-white travel footage and don't mind a narrator who talks like he's reading a very formal brochure, sure. It is perfect for people who like history or just want something quiet to watch while eating lunch. If you need a plot or, you know, actual human drama, you will probably be bored out of your mind.
Watching this feels like stumbling into a dusty attic and finding a stack of postcards. There is this weird, dreamlike quality to the footage of Bangkok. Everything feels frozen, like the camera was afraid to move too fast or it might break the spell.
The transition to Korea is... jarring. One minute you're in the heat of Siam, and suddenly you're in a completely different landscape. It is strange to think that when this was filmed, Korea was just a province under Japan. The film doesn't really get into the politics of that, which is typical for these Traveltalk shorts. It just kind of glides over the surface.
It is not exactly The City Chap in terms of storytelling, but it has a charm. It is honest in a way that modern travel videos aren't. It doesn't try to sell you a vacation; it just shows you stuff. Even if that stuff is filtered through a very specific, mid-30s lens.
There is a moment in the Seoul section where the camera lingers on a group of people walking by. They look right into the lens, just for a second. It is the most human part of the whole film. Everything else feels so staged and curated, but that one look feels like a ghost staring back at you.
It is not a masterpiece. It is barely a movie. But it is a weirdly pleasant way to waste ten minutes if you're feeling nostalgic for a world you never actually lived in. 🌏