2.9/10
Senior Film Conservator

A definitive 2.9/10 rating for a film that redefined the boundaries of cult cinema. Stark Mad remains a cornerstone of transgressive art.
If you have a soft spot for those early talkies where everyone sounds like they are shouting into a tin can, then yeah, give it a go. It is perfect for people who love old-school monster vibes and guys in pith helmets.
If you hate slow-moving plots or movies where the 'scary' parts are just a guy in a furry suit, you will probably want to skip this one. It’s definitely a product of its time. 🐵
The movie starts out with this expedition going into the jungle. They are looking for a missing explorer, which is a classic setup that usually ends in disaster.
The jungle looks very much like a studio backlot in California. You can almost see the edges of the set if you squint hard enough.
The plants look a bit too clean. It doesn't feel like a place where you would actually catch malaria or get bitten by a snake.
Warner Richmond plays the lead, and he has this very intense way of staring at things. It’s like he’s trying to see through the camera lens and into your living room.
Jacqueline Logan is there too, and she mostly has to look worried. She does a good job of looking worried, to be fair.
She was also in Naughty, which was a totally different vibe than this jungle mess.
They find this Mayan temple that looks pretty cool. It has these heavy stone doors and lots of shadows where things can hide.
The lighting in the temple scenes is actually better than the jungle stuff. It feels moody and cramped.
Then we get to the big attraction: the giant ape. It is played by Charles Gemora, who was basically the king of playing gorillas back then.
He’s not exactly King Kong sized. He’s more like a very large, very angry basketball player in a rug.
There is one scene where the ape is just watching them from the shadows. It actually works! It’s a bit creepy because the suit looks so heavy and real in the dim light.
The way the characters react is kind of funny. They do that thing where they stand perfectly still so the monster can find them easier.
The sound is a bit wonky. Sometimes the jungle noises are louder than the people talking.
It reminds me of the weird pacing in The Mummy and the Humming Bird. Things just sort of... happen.
I noticed one guy in the background of the expedition who looks like he’s just waiting for lunch. He keeps adjusting his hat every five seconds.
It’s a small detail, but once you see it, you can’t stop watching him. He’s more interesting than the actual plot for a few minutes.
The writing is pretty simple. They say things like 'We must go on!' and 'What was that noise?' a lot.
If you liked the drama in Hail the Woman, you might find the acting here a bit over the top. Everyone is very expressive with their hands.
There is also some comedy relief that doesn't always land. Louise Fazenda does her best, but the jokes feel like they are from a hundred years ago—which they are.
The whole thing feels a bit like a fever dream. One minute they are walking, the next there is a giant monkey, and then they are running again.
I wish the temple stuff lasted longer. The ending feels a bit rushed, like they ran out of film or the actors wanted to go home.
It’s not a masterpiece, but it’s fun in a weird, dusty way. It’s the kind of movie you find at 2 AM and can’t stop watching because it’s so strange.
The ape really carries the whole second half. Without the guy in the suit, it would just be people walking through bushes.
Anyway, if you like history and weird movies, check it out. Just don't expect it to change your life or anything. 🌴

IMDb —
1920
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