Cult Review
Senior Film Conservator

If you enjoy old-school Spanish cinema or just want to see how people in 1933 joked about ghosts and marriage, then yes. It's short enough that you won't feel like you wasted your afternoon even if you don't love it.
If you can't stand scratchy audio or movies where everyone talks at the same time, you'll probably want to skip this one. It's very loud for an old film. 📢
The whole thing starts with Susana getting ready for her wedding. It feels like a typical romantic comedy at first, but then it gets weird.
She sits her friends down and basically tells them she’s a cheater. But not in the way you think.
She claims she used spiritism to get her fiancé to fall for her. Like, she actually staged séances to manipulate the guy.
It’s such a dark concept for a lighthearted comedy. I love how casually she explains it while fixing her hair. 👰
Rosita Díaz Gimeno plays Susana with this wide-eyed look that makes her seem both innocent and completely unhinged. You can’t tell if she’s joking or if she actually believes she has powers.
There is a specific moment where she describes the 'spirits' and the camera stays on her face for way too long. It’s supposed to be funny, but it actually feels a bit creepy.
The movie reminds me a little bit of the energy in This Way Out, but with more talking and less running around.
Miguel Ligero shows up and, as usual, he steals every scene he is in. He has this way of moving his hands that makes even a boring conversation look like a dance. 💃
Some of the jokes feel really dated, though. There’s a long bit about a servant that just isn't that funny anymore.
The set for the wedding looks a bit flimsy. You can almost see the walls wobble when someone closes a door too hard.
I noticed a weird shadow in the background during the big confession scene. It looks like a boom mic or maybe just a bored crew member standing too close to the lights. 🎥
The pacing is a bit chaotic. It rushes through the plot so fast that I had to rewind a couple of times to figure out who was related to who.
It’s definitely better than some of the other stuff from this era, like The Loves of Carmen, which feels much heavier and slower.
The dialogue is the real star here. It’s snappy and mean in a way that feels very modern.
One of the friends has a reaction shot that lasts about five seconds too long. She just stares into the soul of the camera while Susana talks about ghosts.
It made me laugh out loud because it felt so accidental.
I wonder if people in 1933 actually took the spiritism stuff seriously or if it was always seen as a total joke. The movie doesn't really tell you.
The ending is a bit of a letdown. It wraps up way too quickly, like they ran out of film and just decided to stop. 🎞️
But overall, it’s a fascinating little relic. It’s not a masterpiece, but it has a lot of personality.
If you like seeing actors from the early talkie era figure out how to use microphones, you'll find it charming.
Just don't expect a deep story. It’s basically a long gossip session with some nice outfits.
I’ve seen a lot of these Spanish 'comedias de enredo,' and this one stands out just because of how shameless the main character is.
She doesn't even feel bad about the ghost thing! She’s just proud of herself.
That kind of confidence is pretty rare in movies from this time. Usually, the woman has to learn a lesson, but Susana just wants her wedding. 💅

IMDb —
1917
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