6.9/10
Senior Film Conservator

A definitive 6.9/10 rating for a film that redefined the boundaries of cult cinema. The Big Party remains a cornerstone of transgressive art.
So, you’re thinking about digging into a film called The Big Party, probably hoping for something wild, right? Well, if you’re into a breezy, slightly naive peek into the early sound era and how people thought "good times" looked on screen, this one might be for you. If you expect modern pacing or anything truly scandalous, you’ll likely find it a bit of a snoozer. It’s a curiosity, for sure.
This movie dropped way back in 1930, and it feels every bit of it. We follow Kitty Collins and Flo Jenkins, two bobbed-hair, rolled-stocking types. They're just looking for some kicks. You know, the kind of "whoopee-making" that sounds a bit naughty but probably meant dancing and maybe a few too many ginger ales back then. 😉
They land at this swanky party. A real shindig. And it’s full of these "butter-and-egg millionaires." That phrase alone just screams old-timey money. These guys, they’re from out of town, and their idea of a good time? Yeah, it’s definitely not lining up with Kitty and Flo’s.
What’s funny is how much is left unsaid. The whole plot hangs on this unspoken tension around what "whoopee" actually means. It’s all winks and nudges. The film doesn’t ever really get explicit. You can almost feel the Hays Code looming, even if it wasn't fully in effect yet.
One scene, Flo (played by Sue Carol) gets a bit too friendly with one of the millionaires, Mr. Tilden. He's this big, blustering type. She’s just being playful, maybe a little tipsy. But he totally misreads it, or pretends to. It’s a classic setup.
Then the wives show up. Oh, the wives. They have an even *dimmer* view of this "whoopee" business. Imagine a flock of disapproving pigeons descending on a perfectly innocent breadcrumb. Elizabeth Patterson as Mrs. Tilden is particularly good at looking utterly scandalized without saying much. Her facial expressions do all the heavy lifting.
The pacing, well, it’s a product of its time. Things move a little slower. Dialogue scenes linger. Sometimes you just watch people reacting, or *not* reacting, which is its own kind of charm. There's this moment where Kitty (Dorothy Brown) is trying to smooth things over, and the camera just holds on her, waiting for her to find the right words. It feels very stagey, like a play translated directly to film.
You know, some of the musical numbers are a bit of a surprise. 'Whispering' Jack Smith is there. He sings a bit. It’s not a musical, not really. More like a variety show got mixed in. Those bits feel a little tacked on, honestly. Like they figured, "Hey, we've got sound now, let's make 'em sing!"
The whole thing feels very contained. Most of the action, if you can call it that, happens in just a couple of rooms. The party itself feels a little sparse. Like, where are all the other guests? It’s supposed to be a *big party*, right? But the crowd scenes have this oddly empty feeling, like half the extras wandered off for a smoke break. Or maybe they just couldn't afford more extras. Who knows?
Frank Albertson plays Al, one of the younger guys. He’s supposed to be the "good" guy, the one who actually cares for Kitty. But he’s a bit bland. He mostly just looks worried. You want to root for him, but he doesn't give you much to work with. He’s sort of just... *there*.
The film does have a certain period charm. The clothes, the slang. You hear phrases that aren't used anymore, and it's a fun little linguistic time capsule. "She's a real pip!" or "What a swell dame!" Things like that. It helps you remember what era you're in.
I found myself wondering, did audiences back then really think this was risqué? Or was it just a light comedy with a wink? Probably the latter. It never really commits to being truly naughty, even though it plays with the idea constantly. It’s all implied shenanigans.
All in all, The Big Party is a peculiar little film. It’s not going to blow anyone away. But if you’re studying early talkies, or just want a glimpse of what Hollywood thought was edgy in 1930, it’s worth a watch. Just don’t expect any actual wild parties. Expect more of a polite gathering with some misplaced intentions. 🥂

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