6.7/10
Senior Film Conservator

A definitive 6.7/10 rating for a film that redefined the boundaries of cult cinema. The Ivory-Handled Gun remains a cornerstone of transgressive art.
Look, if you need something to kill an hour while you fold laundry or just want to see how they made movies back when a plot could be settled with a single bullet, you’ll be fine. If you’re looking for a complex character study, you’re in the wrong place.
Fans of the B-western grind will eat this up. People who need modern pacing and fancy camera tricks? Stay far, far away. 🤠
It’s all about the guns, isn't it? Two ivory-handled pistols that seem to carry more emotional weight than the actual actors holding them.
There’s a scene where someone gets shot, and I swear, the reaction is so muted I had to double-check if I missed a frame. It feels like the director told everyone, "Okay, pretend you're annoyed, not horrified." It’s charming in a weird way.
The whole thing feels like it was filmed on a Tuesday afternoon because everyone had nothing better to do. There’s no bloat here, which is the best thing I can say about it. It just gets on with it.
It reminds me a bit of the sparse, no-nonsense energy you find in Vengeance of the Wilds, though with significantly more spitting in the dirt. It isn't trying to be Michael Strogoff in terms of scope, that's for sure.
The pacing is so fast you’ll blink and realize you missed the motive. Not that the motive matters much when you’ve got guys running around the desert yelling about family honor.
It’s a bit like watching a clock tick. It’s not exciting, but it’s consistent. Sometimes that’s enough. Also, the horse gets more screen time than some of the named characters, which honestly feels like the right choice. 🐎