7.2/10
Senior Film Conservator

A definitive 7.2/10 rating for a film that redefined the boundaries of cult cinema. The Miracle Woman remains a cornerstone of transgressive art.
You should definately watch this if you want to see Barbara Stanwyck at her most unhinged. If you like movies that call out religious phonies or if you just enjoy seeing 1930s grit, this is a winner. People who want a polished, modern blockbuster with clean sound will probably hate it though.
The first ten minutes are honestly better than most movies I've seen lately. Stanwyck plays Florence, and her dad is this old minister who gets fired by a bunch of rich, mean-spirited church people. When he dies right after, she just loses it.
She stands up in front of the whole congregation and just shreds them. It is so satisfying to watch. She tells them they aren't Christians and basically calls them all hypocrites to their faces. Her anger feels real.
Then this guy Hornsby shows up. He’s a total sleazebag, played by Sam Hardy with this oily mustache and a vibe that screams 'I steal lunch money.' He sees her talent for yelling and thinks, we can make a lot of money off this.
They start this fake temple called the 'Temple of Happiness.' It looks like a weird theater set. There’s a cage of actual lions on stage, which is never really explained but looks cool. She wears these heavy, shiny robes that look like they cost a fortune.
The way they stage the 'miracles' is so cynical. They have a trap door and everything. It’s messy. You can see the movie trying to decide if it wants to be a romance or a dark satire about cults.
Then we meet John, played by David Manners. He’s a blind aviator who was about to give up on life until he heard Florence on the radio. He’s got this ventriloquist dummy that he talks to. Yes, a blind man with a puppet. It is weirdly specific and a little bit creepy, but also kinda sad?
Their romance happens way too fast, but that’s just how movies worked back then. He thinks she’s a saint. She knows she’s a fraud. The tension is all in her face when he’s being nice to her.
There is a lot of talking in the middle. Sometimes it feels like they forgot to move the camera for five minutes. But then Stanwyck will do something with her eyes and you're back in it. She’s just magnetic.
The movie gets noticeably more intense toward the end. Hornsby is trying to keep the money rolling in, and Florence is starting to feel the guilt. It feels a bit like Danger Lights in how it just barrels toward a chaotic finale.
The climax involves a fire. It looks like a real fire. Not the fake CGI stuff we see now, but actual smoke and people looking like they are about to get cooked. The panic is palpable.
I wish the ending wasn't so rushed. It feels like they had five minutes of film left and just decided to wrap everything up with a bow. It doesn't quite fit the dark tone of the first half.
Still, it’s a punchy movie. It doesn't overstay its welcome. It’s better than Passion Flower which came out around the same time but felt way more staged.
Stanwyck is the whole show here. Without her, it would just be a weird story about a puppet and some lions. With her, it’s a character study of a woman who accidentally becomes the thing she hates.
It’s not perfect. Some of the jokes land flat. The sound is a bit scratchy in the loud parts. But it has this raw energy that you don't find in modern stuff.
I'm glad I watched it on a rainy afternoon. It’s the kind of movie that makes you want to go read about the 1930s. It’s short, it’s angry, and it has a blind guy with a dummy. What else do you want?
The scene where she walks through the crowd and they all try to touch her robe... it’s spooky. It shows how desperate people are for something to believe in, even if it's a scam. That part hasn't changed at all.
Anyway, give it a look. It’s a bit wonkey in the pacing, but Stanwyck’s performance is worth the price of admission alone. She’s a force of nature.

IMDb —
1917
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