5.9/10
Senior Film Conservator

A definitive 5.9/10 rating for a film that redefined the boundaries of cult cinema. Troubled Waters remains a cornerstone of transgressive art.
So, you’ve stumbled across Troubled Waters, huh? Well, if you’re a fan of those old-school spy pictures, the ones that feel a bit like a dusty old book you found in an attic, then yeah, you might actually get a kick out of this. It’s definitely *not* for anyone expecting modern action or slick suspense. Folks looking for something fast-paced will probably be bored stiff, but for the patient, there’s a strange, undeniable charm here. 🧐
The premise is simple enough: a secret agent, played by W.T. Ellwanger, has to save a town from some bad guys who want to steal liquid explosives. These aren't just any explosives; they're in large, rather fancy-looking bottles that honestly could pass for expensive bath salts. It’s all very serious, even if the stakes look a bit… liquidy.
Ellwanger, as our stoic agent, has this one intense expression. He holds it through most of the film, whether he’s dodging a punch or simply ordering tea. It’s quite a commitment to the furrowed brow. You almost wonder if he’s trying to remember if he left the oven on. 🔥
The crooks, led by the perpetually flustered Raymond Lovell, aren't exactly masterminds. They spend a good chunk of time bickering among themselves, often in rather loud whispers. There’s a particular scene where one of them, I think it was Ernest Borrow, slips on a banana peel. Yes, a banana peel. In a spy thriller. You just don't see that anymore.
Then there's James Mason, who pops up for what feels like a blink-and-you-miss-it cameo. He delivers a few very important, very dramatic lines, then just vanishes from the plot. It’s like he walked onto the wrong set, realized his mistake, and politely excused himself. What a pro. 🎩
Margaret Rutherford has a brief, delightful turn as a busybody landlady. She doesn’t really advance the plot, but her inquisitive nature provides a few genuinely funny moments. She keeps trying to offer Ellwanger's agent a slice of her questionable plum pudding. His polite refusals are a highlight.
The pacing is… well, it’s a leisurely stroll more than a sprint. There are moments when the camera just sort of lingers. One shot, of a dusty road with nothing happening for a full ten seconds, really sticks with you. It feels like they were waiting for something to happen, and then decided, 'Ah, well, let's just move on.' ⏳
Alastair Sim, bless him, brings his usual quirky energy as a local eccentric who accidentally gets caught up in the spy shenanigans. His character has this habit of talking to his pet canary, even when urgent information needs to be conveyed. It's wonderfully distracting, in the best possible way. He’s almost as good here as he was in A Stranger from Somewhere.
You’ll notice the dialogue can be a bit formal, even during intense situations. People say things like, "I say, that's a rather untoward development!" instead of, you know, screaming. It's a charming throwback, for sure.
The actual 'saving' of the town involves some truly bizarre antics. At one point, our agent has to climb a drainpipe that looks incredibly flimsy. You can almost hear the crew holding their breath. It goes on a bit too long, but you can't help but root for the guy. 💪
It's not a film that will keep you on the edge of your seat, not by a long shot. But if you're in the mood for something decidedly *different* from the usual, with a few memorable, peculiar performances, Troubled Waters delivers a quaint kind of entertainment. It’s like finding a strange little antique in a junk shop. Not perfect, but interesting.

IMDb —
1918
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