Cult Review
Senior Film Conservator
If you have a thing for black-and-white French comedies from the early thirties, then absolutely, go for it. You’ll probably have a grand time if you don't mind the stage-bound feel of everything.
However, if you need your movies to move fast or feel grounded in reality, stay away. This isn't for you. You will be bored to tears within the first fifteen minutes, I promise.
There is this moment about halfway through where the dialogue becomes so rapid-fire it feels like a tennis match. André Luguet is doing a lot of work with his eyebrows alone.
I couldn't help but think about how much this reminds me of the vibe in His Parisian Wife. There's that same sense of performative elegance that feels almost exhausting to watch.
The lighting is… well, it’s very flat. Almost like they just turned on every bulb in the studio and hoped for the best. 💡
But the costumes? Absolutely lovely. There is a hat worn by Germaine Roger that I spent way too much time staring at instead of listening to the plot. It’s a masterpiece of millinery.
The pacing is entirely dictated by the rhythm of the lines. If the actors are tired, the movie is tired. You can literally hear the exhaustion in some of the late-night scenes.
Sometimes, the camera just sits there. It’s like the director went to get a coffee and forgot to yell cut. It’s oddly charming, honestly.
It’s not a perfect film. It’s barely a "good" film by modern standards. But there’s a warmth to it that you just don't get in polished modern stuff. It feels like a home movie for people with better furniture than me.
I found myself comparing the social stakes here to Fool's Paradise. Both movies seem to treat love as a game of checkers, even when they pretend it’s a tragedy.
Ultimately, it’s a weirdly specific artifact. You don't watch this to be challenged. You watch it because you want to see people in suits argue about love in a room that looks like a library.
Don't overthink it. Just enjoy the hats. 🎩

Year
1933
IMDb Rating
—

Editorial
Deciphering the legacy of transgressive cult cinema.
Community
Log in to comment.