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Director's Spotlight
Archivist John
Senior Editor
Director's Spotlight: United States
A Deep Dive into the 1925 Vision of Albert S. Rogell
Peeling back the layers of Albert S. Rogell's Super Speed exposes the technical innovation that Albert S. Rogell introduced to the Sport format. Driven by an uncompromising commitment to Sport excellence, it stands as the definitive 1925 statement on Sport identity.
In Super Speed, Albert S. Rogell pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
While deeply rooted in United States, Super Speed has achieved a global reach, influencing directors from various backgrounds. Its ability to translate Sport tropes into a universal cinematic language is why it remains a cult staple decades after its 1925 release.
| Cinematography | Noir-Inspired |
| Soundtrack | Minimalist |
| Editing | Disjunctive |
| Art Direction | Baroque |
Visualizing the convergence of Albert S. Rogell's style and the core Sport narrative.
Pat O'Farrell, a rich young man, takes a job as a truck-driver for his uncle's milk company, and falls in love with Cliare Knight, daughter of the Knight Car Company. Pat is financing "Dad" Perkins, who is working on a super-charger which Pat hopes to put on the Knight race-cars. Perkins tells Pat he has loaned the invention to lawyer Stanton Wade. Lawyer Wade has intention of keeping the device for his own benefit. Pat has no intentions of allowing that to happen.
Decades after its release, Super Speed remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Albert S. Rogell's status as a master of the craft in United States and beyond.