Visionary Picks In Alignment with the style of 3 Bad Men: Cult Guide

Dir: John Ford

This is the same plot as Three Godfathers. Three outlaws rescue a baby in the desert and with barely any water left try to return to the town in which they just robbed a bank.

Dir: John Ford

A visual fragment from the archive: The thematic resonance of The Scarlet Drop perfectly mirrors the editorial trajectory of our deep dive.

A man declined admission to fight in the American Civil War joins a gang of marauders and winds up as a fugitive.

Dir: John Ford

A mother is convinced her son is a ranch owner when in fact he is an outlaw, and she just saves him from hanging.

Dir: John Ford

A visual fragment from the archive: The thematic resonance of A Marked Man perfectly mirrors the editorial trajectory of our deep dive.

Jim Kyneton, once a member of an outlaw gang, joins the Texas Rangers and is forced to track down his former friends and his half-brother Nick, who have been robbing a gold mine.

Dir: John Ford

The owner of a gambling hall is entrusted with the care of a pretty young girl. He falls in love with her, but he must decide whether to let her go to his best friend, with whom he believes her to be in love, or to try to win her for himself.

Dir: John Ford

A visual fragment from the archive: The thematic resonance of Rider of the Law perfectly mirrors the editorial trajectory of our deep dive.

"Cheyenne Harry", owner of the biggest cattle ranch in his corner of the West, is having trouble with John Merritt, a land-grabbing Chicago meat-packer. By some artifice of shrewd legal aid, Merritt manages to seize Harry's ranch under a bogus writ of foreclosure. Failing to get justice by his many letters to Merritt, "Cheyenne Harry" goes East and calls at the millionaire's mansion. At first, Merritt refuses to see him. Then, to cause amusement for his daughter Helen and her guests, he invites the "uncouth" Westerner into his dining hall. He is sure that he will make some grave error in table deportment and afford them all a laugh. To the amazement of Merrit and the guests Harry's table manners are faultless. Then, to trick him into an embarrassing position, Merritt eats with his knife. Harry, realizing that it is proper for the guest to follow the example of the host, does likewise. He leaves the house chagrined but more determined than ever to get justice from Merritt.

Dir: John Ford

Jode McWilliams, the foreman of Circle O, is in love with Peg, the daughter of Pa Owens, the owner of the ranch. The trouble is that daddy won't allow! Which does not stop Jode from wanting to marry Peg. He asks Stumpy, the cook, to help him write a love letter to the lady of his heart. The other cowhands find it and, with a view to making fun of Jode, nail it to the door. Two Horns, an Indian, steals it and ... delivers it to Peg. When Jode and his posse, pursuing the facetious redskin, arrive at the Owenses' house, Jode's boss has already found out. A showdown ensues and the young man, who has lost the fight, is made prisoner and held in a room. But he is rescued by his pal Chub and a helpful parson marry the two lovebirds. Away they ride from the reluctant father towards happiness.

Dir: John Ford

A visual fragment from the archive: The thematic resonance of The Outcasts of Poker Flat perfectly mirrors the editorial trajectory of our deep dive.

The head of a band of cattle rustlers is defied, prompting him to call his phantom riders together and route the defier's cattle, and then seek their owner intent on taking his life.

Dir: John Ford

Cattleman Flint cuts off farmer Sims' water supply. When Sims' son Ted goes for water, one of Flint's men kills him. Cheyenne is sent to finish off Sims, but finding the family at the newly dug grave, he changes sides.

Dir: John Ford

Cowboy Lin McLean's restlessness takes him to Denver, where he becomes enamored of a waitress named Katie.