The Global Archive For Devotees of A Dream of Fair Women: Cult Guide

Dir: Wilfrid North

The Earl of Clanranald, obliged against his will to attend a meeting of conspirators against King James (II) of England, is arrested. His death warrant is signed by the King and dispatched to Edinburgh by Sir Harry Richmond of the King's Bodyguard. Lady Katherine, the Earl's daughter, dresses up as a highwayman meets and later holds up the King's messenger. She receives a sword wound in her shoulder, but secures the warrant and burns it. Upon hearing her story, Sir Harry promises to do all in his power to secure the release of Lady Katherine's father.

Dir: Wilfrid North

Wealthy heiress Clover Dean has three suitors: Duke Boris, promoted by her aunt, Bucky Raine, a wealthy idler sponsored by her uncle, and struggling young doctor William Dunn, who is her own choice. Clover's engagement to the duke is to be announced at a dance, but she rebels before the gathering and refuses to go on with the marriage. Clover leaves hurriedly, a shot is heard and the duke found dead. Bucky Raine, discovered wandering about the garden with a revolver in his hand, is arrested for the crime, but his testimony convicts the doctor as the person who had possession of the gun during the shooting. The doctor and Clover are both arrested for suspicion, but a guilty conscience forces Rita, a former sweetheart of the duke to confess to the crime. Clover then has her own way and marries the doctor.

A visual fragment from the archive: The thematic resonance of Clover's Rebellion perfectly mirrors the editorial trajectory of our deep dive.

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: Wilfrid North

The Kid, a sprightly young girl of seventeen, is overjoyed at receiving an appointment on the staff of the New York Herald, through the influence of Joe Hazard, the star reporter, who has brought her up as his daughter. To arm properly for the battle of life, Joe tells her the story of how her mother's downfall was brought about. Her mother, he tells her, was betrayed by a man named Dunster in her home town. Joe had befriended her and when her child (the Kid) was born, and the mother died and Joe had decided to bring the child up himself. With a final warning to beware the pitfalls of the city, Joe takes her to the Herald office to begin her career. Soon after, when the price of meat shows an alarming rise, the Herald assigns the Kid to unearth the cause. While on the hunt for particulars, the Kid sees Robinson, one of the large cattle owners of the west, who has come to this city for a business trip. She follows him. waits while he has his shoes shined and then, when turning a corner, loses him in the crowd. Hurrying home, she assumes the disguise of a bootblack and obtains a position at the stand where she left Robinson. True to her expectations, Robinson appears that day, and while shining his shoes she obtains a clue. That day, Robinson's wife, a charity worker, is murdered while riding in her car, and the murderer makes his escape. Sometime later, the Kid manages to obtain a position in the office of Robinson and secures evidence which connects her employer not only with the manipulation of the meat market, but also with the murder of his wife. She arranges to have two detectives hide in the room next day to get further evidence of his connection with the murder, but they overhear a conversation which convinces them that Hidalgo, manager of Robinson's cattle enterprises, is the real murderer and he is taken into custody. The Kid obtains a warrant for Robinson for his connection with the rise in meat, but Joe Hazard, recognizing Robinson, tells the Kid that he is her own father, Dunster, under an assumed name. Dunster also learns that the Kid is his daughter and begs leniency. She finally secures his freedom, but when he comes to claim a daughter's love, she turns to Joe, who has been her "Daddy" for all these years.

A visual fragment from the archive: The thematic resonance of Striking Models perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wilfrid North

Amos Brandt is a miser, but his children don't know that he's actually very wealthy. His daughter Lola has been proposed to by both wealthy Richard Denton and not-so-wealthy George Gray, and decides to choose love over money and accepts Gray's proposal. Denton then invests in a company that defrauds the public, and just as he's facing criminal charges and bankruptcy, he learns of Amos' real wealth and decides to rob him. However, things don't go quite the way he planned.

Dir: Wilfrid North

Ann reluctantly agrees to leave her beloved New York City to accompany her sick brother on a trip out West, which he must take for his health. There she meets hunky ranch foreman Bob Raymond. He's interested in her, but she feels so lost outside of New York that she rebuffs his advances. However, the more she gets to know him, the more she begins to rethink her attitude--although she still cant wait to get back to New York. Bob has his own ideas about that.

A visual fragment from the archive: The thematic resonance of The Kid perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wilfrid North

Marcellus Holloway, a rich widower, buries himself among his books and allows his only daughter, Penelope, to bring herself up. At the age of eighteen she was courageous and self-reliant, also self-willed and independent, with a disregard for the restraints of convention. She caused gossip by fishing on Sunday and galloping wildly about on her colt. An old friend, Mrs. Travers, and her son, Jimmy, visit them. Jimmy and Penelope become friendly. Mrs. Travers induces the father to allow Penelope to enter a fashionable boarding school with her daughter. Marjorie. At the school Penelope's behavior is not as dignified as it should be. Her father dies and Penelope refuses to see her friends or return to school. Jimmy finally persuades her to come and make his mother a visit. She goes and at a party in her honor meets Mr. and Mrs. Rivers and enjoys Rivers' company, causing his wife much anger. At the golf club she continues flirting and Jimmy remonstrates with her without success. Mrs. Rivers puts detectives on her husband's trail and they follow Rivers and Penelope to a roadhouse. On the way Jimmy joins them. They arrive just as Rivers is beginning to show his real self to Penelope and she faints. The detectives take Rivers away, while Jimmy goes to Penelope. Mrs. Rivers starts a divorce suit, naming Penelope as a co-respondent. Penelope goes to Mrs. Rivers and pleads with her. Mrs. Rivers sees she is innocent and returns with her to the Travers' home, where Jimmy takes her into his arms.

Dir: Wilfrid North

Sweet Kitty suffers the cruelty of her adopted aunt and uncle in Scotland, until taken to England by her guardian, Lord Inglehart, where she falls in love with his son. Learning that through a former escapade of his father the girl is his sister, the boy denies her love and she returns sadly to Scotland and slavery, only to have it all explained when her uncle is taken ill and confesses that the real daughter of Lord Inglehart died and she, Kitty, was adopted in her place to secure allowance from his Lordship. David and Kitty let us draw a veil. the man she still loved, the father of her babe, had been redeemed.

A visual fragment from the archive: The thematic resonance of The Dollar and the Law perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wilfrid North

Lily Upjohn leaves the London slums after her father dies and becomes a chorus girl at the Pandora Theatre. When a scene painter drops some paint from a scaffold, Lily's screams prompt the show's composer to create a hit song entitled "Mind the Paint Girl," which warns men about made-up actresses. After Lily becomes an overnight sensation singing the song, she is courted by Nicholas Jeyes, a young officer who gives up his commission so he can remain near her, and by Lord Francombe. Jeyes' increasing jealousy causes Lily to become distant, which further intensifies his degeneration. After Jeyes bursts into Lily's birthday celebration and discovers her embracing Francombe, who has just proposed, Jeyes' anguished tale of his ruin due to being dangled by Lily, moves her to promise him marriage, but at the end, Jeyes and Francombe become friends and neither marries Lily.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.