Recommendations
Senior Film Conservator

For cinephiles who admire the stylistic flair within A Kiss in a Taxi, its lasting impact ensures that its spirit lives on in modern recommendations. Each of these movies shares a piece of the stylistic flair that made A Kiss in a Taxi so special.
At its core, A Kiss in a Taxi is a study in to provoke thought and inspire awe in equal measure.
Ginette, a waitress at the Café Pierre, loves Lucien, a poor artist, and objects to the attentions of others with whatever glassware is at hand, though Lucien's father forbids their marriage. While Leon Lambert and a "gay lady" are riding the boulevards, they stop at a florist's shop. At the same time, Ginette, pursued by her irate employer, runs down the boulevard and into the waiting taxi. Leon returns, offers a bouquet to the stranger, and forces a kiss; the chauffeur, losing control of the car, crashes through the cafe window. Leon buys the restaurant for Ginette, expecting her gratitude, but uses the card of Maraval, treasurer of the Artists' Society. To escape an awkward situation, Leon poses as Ginette's father, then forces Maraval to assert himself as the girl's lover; with complications resolved, the lovers are united.
A Kiss in a Taxi was a significant production in United States, showcasing the immense talent of Jocelyn Lee, Agostino Borgato, Bebe Daniels. It continues to be a top recommendation for anyone studying Romance history.
Based on the unique stylistic flair of A Kiss in a Taxi, our vault has identified these titles as the most compelling follow-up experiences for fans of Romance cinema:
Dir: Clarence G. Badger
A burlesque dancer overcomes the puritanism of a repressed small town.
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Dir: Clarence G. Badger
Homely schoolteacher Sam Lyman arrives from New England to settle in the Mississippi Valley town of Old Ebenezer, Arkansas while he studies law. During a game of forfeits given at the annual town social by Banker McElwyn, the richest man in town, Sam marries the banker's daughter Eva, the prettiest girl in town, in a fake ceremony. The couple later discovers that the marriage is legal and Sam offers to bow out, but Eva, who does not want to marry her father's choice, rich mule dealer Zeb Sawyer, persuades Sam to continue the marriage in name only. After Sam withstands slander from Zeb and McElwyn, they send night riders to horsewhip Sam and run him out of town, but he stays. When Zeb launches a run on McElwyn's bank, Sam saves it by depositing money he receives from writing a novel and bags marked $20,000, which are filled with horse shoes. Afterward, Eva refuses to have the marriage annulled.
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Dir: Clarence G. Badger
Jimmy Betts angrily remonstrates with his wife for a letter she has written to Count Henri Duval, while she bristles at the attention that Jimmy has lavished on Mrs. Ella Rice, an aging but nonetheless charming widow. Exasperated, Ruth decides to accept the count's invitation to dine on his yacht, but on her way, she overturns her rowboat and loses consciousness. In her delirium, Ruth dreams of the happy days of her marriage, before Jimmy went away to handle Mrs. Rice's business affairs. Because she missed him so much, Ruth finally left her Aunt Sophronia to be with Jimmy, whom the love struck Mrs. Rice hoped to win for herself. In order to drive the young people apart, Mrs. Rice then introduced Ruth to Count Duval, who soon professed his love for her. Aware of Mrs. Rice's schemes, Ruth frightened the widow from her bedroom late one night so that Jimmy could see her for the "painted interloper" that she really was. Ruth then wrote her letter to the count. Jimmy rescues Ruth and carries her aboard the yacht, where she finally awakens from her dream and happily kisses her husband.
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Dir: Clarence G. Badger
A cub reporter (Normand) is sent undercover to get a story, but falls for the man she is investigating.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Clarence G. Badger
Coarse country girl Sis Hopkins and general store clerk Ridy Scarboro are so engrossed in their dalliance that a basket is overturned and a large can of oil spills into a pool, creating a slow leak. Wealthy villager Vibert thus becomes convinced that Sis's farm is located on a pocket of oil, and he schemes to gain control of the property by marrying Sis. Vibert sends her to a young woman's seminary for refinement. Sis creates chaos in the school and is a problem for principal Miss Peckover. Vibert eventually realizes Sis will never measure up to his standards for a wife. Ridy, who has been jealous, is overjoyed when Sis returns home. Vibert entices Pa Hopkins into selling the property for a small amount, but Sis shrewdly succeeds in tripling the price. Finally Vibert discovers the can in which he has invested so heavily.
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Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
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Dir: Clarence G. Badger
Dorothy Dean, a wealthy young woman with modern ideas, abhors the institution of marriage but discovers that she must be wed in order to receive a wealthy relative's inheritance. Through Judge Roan, the family lawyer, Dorothy meets Don Morton, who agrees to accept a $10,000 check to marry her and then leave her in peace. After the ceremony, however, Dorothy's new husband takes her to a lonely island retreat where he tries unsuccessfully to win her love. Defeated, he leaves the island. In his absence, she is attacked by thieves and is fighting for her life when Don returns and rescues her. Dorothy now realizes that she is happy to have a husband, and the two embark on a real honeymoon.
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Dir: Clarence G. Badger
Susan, a wealthy young Easterner, is making her way across the country when she accidentally becomes separated from the train carrying her west. She finds herself in the clutches of a gang of bandits, who discover they've got more on their hands than they bargained for.
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Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
View DetailsAnalysis relative to A Kiss in a Taxi
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| A Perfect Lady | Surreal | Linear | 86% Match |
| Almost a Husband | Surreal | Linear | 90% Match |
| The Kingdom of Youth | Ethereal | Layered | 85% Match |
| The Floor Below | Tense | Abstract | 94% Match |
| Lunatics in Politics | Ethereal | Dense | 97% Match |
This guide was algorithmically generated using the cinematic metadata of Clarence G. Badger's archive. Last updated: 6/28/2026.
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