The Essential Watchlist that Capture the Essence of A Lion's Allian...

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: Charley Chase

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Fred Hibbard

A fascinating piece of cinema that shares thematic elements.

Dir: Hal Roach

A visual fragment from the archive: The thematic resonance of The Merry Jailbirds perfectly mirrors the editorial trajectory of our deep dive.

An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.

Dir: Fred Hibbard

Chocolate Drop was out of work and when he sees a sign on one of the circus tents reading "'Lion Feeder" wanted - he applies. He is given the job, but when he sees the lions, and they playfully try to snap his hand off, chew his hat up, and a few other pranks, he hot foots it to the nearest river and in he goes. Jimmy, the Village Peeper, is caught flirting with the Queen of the circus, through the tent flaps. The watcher of the circus wallops him and sends him spinning. He lands in front of the manager of the circus. The manager asks him if he is looking for a job, to which he answers in the affirmative. He is given the job of a clown and all around helper. He waters the elephants, feeds the lions, imitates a rope walker and everything that's possible he is, and does. A little side show takes place when the peanut man gets in the way of the angry mob when the gates are opened. A three cornered jealousy springs up between the manager, the lion tamer and Jimmy. They all are madly in love with the Queen of the Circus. To get even with the lion tamer, Jimmy lets the lions out of their cages. Then the fun begins. The lions are starved and make one bee line for the audiences. Several of the lions go into the various tents, where the freaks are having their show. One [man]'s eyes go back on him when he sees the lions and refuse to turn back, they become crossed. His feet, however, are his friends, and they sure do make some speed in getting away from the lions. The lion tamer, Jimmy and the Queen try to wrap themselves up in one of the tents to escape the lions, but leave it to the Hons to get into anything. We see the lion emerge from the tent with all kinds of clothing draped around hint, and when all is quiet, the lion having gone further looking for trouble, we see the three "chicken " hearts come up out of the ground.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of His Royal Slyness perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Jerome Storm

Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.

Dir: Fred Hibbard

A visual fragment from the archive: The thematic resonance of Weak Hearts and Wild Lions perfectly mirrors the editorial trajectory of our deep dive.

In Youthville, a specialist in everything is seeking patients by running around on the street with a huge sign under his arm with the legend "Doctor" in large letters. A millionaire's daughter is leaving home with her father to attend the fashion domestic science school conducted by Prof. P. Soop. She is forced to leave her beau, a tiddley-winks champion, behind but drops a note out of the train window giving him much courage. He drives behind the train on the track all the way. The ingenue is given her assignment to a bed in the girls dormitory and takes a fit on it at once. There is a chance for the doctor. He arrives and proceeds to look her over when several lions happen to escape from a wharf upon their arrival from Africa and they infest the dormitory. A terrible scramble takes place and there is more excitement than ever when the lions begin to attack the girls. They roll the bed together and save themselves temporarily by making cages of the bed springs. The doctor finds refuge in an ice box and the colored errand boy in a red hot oven. The doctor is overcome by the heat and the colored boy catches a cold in the oven. A wild chase winds up with general happiness and the love sick maiden'-marries the tiddle-winks' champion.

Dir: Fred Hibbard

A burglar constantly gets the "papers" when he is after the pearls, and a spy endlessly gets the pearls while he is after the "papers," and the jealous husband of a flighty wife lives in what he calls a "house full of lovers," consisting of the spy, the burglar, and some detectives, all in hiding, all trying to avoid him and one another.

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.