Editor's Top Picks Following the Footsteps of A Man of Nerve: Cult ...

Dir: Louis Chaudet

When brilliant lawyer Harry Sevier, an alcoholic, cannot cope with the prosecution's tactics, his innocent client Paddy the Brick goes to prison. After Harry's sweetheart Echo Allen, the daughter of Judge Beverly Allen, breaks their engagement, Harry leaves to combat his problem. Meanwhile, Cameron Craig, whose interest in a distilling corporation is threatened when a suit is brought before Judge Allen, steals incriminating love letters written by the Judge years earlier. Echo boards a train to offer to marry Craig for returning the letters. Harry, on the same train, and now beardless, follows Echo to Craig's home, where a burglary occurs. After Harry, not recognized by Echo, gives her the letters, Craig is shot, and Harry, along with Paddy--now a burglar--is sent to prison. Harry escapes and finds himself nominated to run for governor on the "dry" ticket. After Echo confirms that he was innocent of shooting Craig, Harry wins the election and her love.

Dir: Louis Chaudet

A visual fragment from the archive: The thematic resonance of The Edge of the Law perfectly mirrors the editorial trajectory of our deep dive.

Nancy Glenn is a pupil in Pop Hogland's school for crooks. When, attired as a boy named "Spider," Nancy fails at her lessons as a pickpocket, Pop decides to pair her with Pliny Drew, a graduate thief and swindler. Nancy rebels at her proposed partnership with Pliny, and after she is involved in an auto accident and rescued by wealthy young Ralph Harding who takes her to his home to recover, Nancy pretends to have lost her memory. Gradually, Ralph falls in love with the girl, and his mother accepts her as one of the family. However, when Pliny attempts to involve Ralph in a mining swindle, Nancy sacrifices her security and exposes the plan, thus saving her benefactor. Learning of the conditions which drove her into life at the edge of the law, Ralph forgives Nancy and they face a happy life together.

Dir: Louis Chaudet

Billy simply has no use for mothers-in-law, and when his bride informs him that "mother" is coming for a visit, he digs up an excuse concerning a business trip to 'Frisco. It is only camouflage on Billy's part, for his real reason is to meet a couple of lady buyers who are sportively inclined. And that's where the complications begin. Wifey must see him off on the boat which gets his "goat," since he knows he is in for a healthy bath in swimming back to town. The bride, in the meantime, is entertained at a shady roadhouse by friendly neighbors, and Billy takes his buyers there to drink at the shrine of Bacchus. The upshot of it all is, the place is raided, and Billy finds out that his story of the sinking boat is a figment of his imagination. But mother-in-law arrives in time to restore amicable relations. And Billy finds that his prejudice hasn't a leg to stand on for she proves to be his fair companion - the buxom buyer.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of A Wonderful Night perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Louis Chaudet

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

Kid Allen, the daughter of Mate Allen, a drunken ex-sailor, waits every night to take Mate home from a saloon. After Mate beats up saloon owner O'Keefe for trying to kiss Kid, O'Keefe kills Mate. Kid shoots and kills O'Keefe, and then leaves on a pony to get "a education," which her father wanted her to have. When she falls and sprains an ankle, Joe Emory, a sheep herder, nurses her and they fall in love, but she continues her journey. At a university town, cow puncher Nick Horton escorts her to the school, where he fights the president and some students, after being told that Kid is not ready to enter. The president stops Kid and Nick from being arrested, and puts Kid in a boarding school, but after she learns that school will last for seven years, she returns to Joe. As they kiss, they fade into a statue of Cupid embracing Psyche.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: Louis Chaudet

A girl nicknamed "The Weed" lives with her foster parents in their mountain cabin and frequently visits a nearby health resort to sell milk and eggs. On one of her excursions, she befriends a cantankerous old millionaire, George Bassett, who later bequeaths to her his entire estate. Ralph Long's car plunges down an embankment, and he is dragged from the wreckage and looked after by the Weed, who soon captivates him with her charm and ingenuousness. While he is in the hospital, however, the lecherous Kenneth Stewart snaps a photo of the girl swimming in the nude in a mountain pool and hangs an enlargement of it in his club. He once attempts to enter her room but she bolts him out. Through a neighbor, Ralph learns that Stewart is actually the girl's father, whose abandonment of his wife soon after the Weed's birth led to the woman's death. Ralph confronts Stewart, and the latter, deeply ashamed, leaves town. Ralph resolves to keep the truth from the Weed and proposes to her.