
Nancy Glenn is a pupil in Pop Hogland's school for crooks. When, attired as a boy named "Spider," Nancy fails at her lessons as a pickpocket, Pop decides to pair her with Pliny Drew, a graduate thief and swindler.
Harvey Gates, Maude Pettus
United States

The silent era of cinema frequently grappled with the dichotomy between innate virtue and environmental corruption, a theme that finds its most poignant expression in the 1917 drama The Edge of the Law. Directed with a surprising degree of nuance for its time, the film serves as a vehicle for the luminous Ruth Stoneh...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Louis Chaudet

Louis Chaudet
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" The silent era of cinema frequently grappled with the dichotomy between innate virtue and environmental corruption, a theme that finds its most poignant expression in the 1917 drama The Edge of the Law. Directed with a surprising degree of nuance for its time, the film serves as a vehicle for the luminous Ruth Stonehouse, whose portrayal of Nancy Glenn—alternately known as the pickpocket 'Spider'—transcends the melodramatic conventions of the period. Unlike the more straightforward morality pl..."


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