The Definitive Watchlist Seeking the Same Brilliance as A Parisian ...

Dir: Chester M. Franklin

Roy Somerville has turned out an interesting story that will hold the interest of the majority of audiences as produced by the Triangle-Fine Arts Company. It is a five-reel feature produced under the direction of C.M. and S.S. Franklin,. Norma Talmadge stars as Cora, who is wed to Arthur Vincent (Eugene Pallette); they have two children. Vincent is a bank president's son who devotes much of his time to cabaret dancer Jane Courtenay, who is willing to have him devote his time to her as long as he is a good provider. The wife, who has been sadly neglected, turns to her sister, who is wed to young detective Fred Brown. His brother Charles, who works in the elder Vincent's bank as a cashier, lives with them. He was Cora's first love and has never quite recovered from the fact that she jilted him to wed Vincent because of his money. The cabaret dancer makes several demands on the young Vincent, who tries to borrow money from his father to meet them; failing to receive the loan, he agrees to help several friends of the cabaret charmer rob his father's bank. After the robbery Charles Brown is accused of the crime and arrested. But the robbers are discovered in their hiding place, and in escaping all but one is killed. Cora is left a widow and the natural supposition is that she and Charles were happily married afterward. Just where the title comes in is hard to say, but the picture, while not one of the best that has been produced at the Fine Arts, is one that will get by because of its great appeal to women.

Dir: Chester M. Franklin

Millionaire Hamilton fakes death to test wife's loyalty. His wife and brother plot to kill his children for inheritance. Hamilton warns kids through Hansel and Gretel story. Wife overhears, realizes her evil plan. Family reunites.

A visual fragment from the archive: The thematic resonance of The Babes in the Woods perfectly mirrors the editorial trajectory of our deep dive.

Dir: Chester M. Franklin

Jack exchanges his cow for some magic beans. The beans grow overnight into a beanstalk. Jack climbs it and arrives at a castle that is his. He sets a deal with the giant in exchange for the fortune.

Dir: Chester M. Franklin

A young woman and her six little brothers and sisters are left orphans by the murder of their father over gold found on his ranch. Together the seven offspring fight against their greedy neighbors to keep what is rightfully theirs.

A visual fragment from the archive: The thematic resonance of Jack and the Beanstalk perfectly mirrors the editorial trajectory of our deep dive.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Chester M. Franklin

The little school ma'am has come out to a Western town from her home back in Virginia. The townspeople just can't help making life miserable for the little schoolteacher, and when a young playwright who happens to be from Virginia himself, arrives in the town and meets the lonely little teacher, old Mrs. Grundy just runs riot. To make matters worse, the young people go off for a ride and when they wander off to a spring to get a drink, the horse runs away,, so they must stay out in the woods all night. Then there is a crash, and the school teacher is summarily dismissed from her position.

A visual fragment from the archive: The thematic resonance of A Sister of Six perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

Dir: Chester M. Franklin

A man and his wife both have criminal pasts, but have quit crime and are now respectable citizens. One day a member of their old gang shows up and threatens to expose them if they don't help him pull a heist.

Dir: Chester M. Franklin

Following the death of her fiance and the birth of her baby, Dorothea, to avoid even the hint of a scandal, gives the child to her best friend Martha, who has arranged to have the infant raised by her old nurse. Soon, having kept her child a secret, Dorothea marries Deacon Hunt, while Martha becomes engaged to John. When unconscionable Sell Hawkins remembers having seen Martha bring the baby to the nurse, accuses her, before the church congregation, of being an unwed mother. Dorothea remains silent, and Martha, hoping to protect her friend, refuses to tell the truth about the child. Just as Martha's guilt seems assured, however, the child is brought to the church with an injury, and when a concerned Dorothea rushes to the infant, her actions and expression betray her own secret.