Hidden Genre Gems In Alignment with the style of A Perfect Lady: Cu...

Dir: Clarence G. Badger

Whistling Dick, a hobo known for whistling classical tunes, arrives in New Orleans, Louisiana, to discover that fellow hoboes plan to rob the Lovejoy plantation on Christmas night. Their accomplice is Richmond, a guest and suitor of young Nadine Lovejoy, who loves the overseer, Hunter. On the road, Dick encounters Nadine, Hunter, and Richmond, who offer him a ride and give him a package, which they believe to be a new smoking pipe. After arriving on the plantation, Dick opens the package to find a pair of women's stockings. Richmond's gang of robbers fear that Dick will reveal their plot to the Lovejoys and abduct him. Dick warns his hosts by wrapping a message around a rock, placing it in one of the stockings, and throwing it through a window. It lands on the dining room table during a Christmas dinner party and the plot is thwarted. Dick is welcomed as a guest, given new clothes, and offered a job; but the next morning he resumes his wandering.

Dir: Clarence G. Badger

A visual fragment from the archive: The thematic resonance of Strictly Confidential perfectly mirrors the editorial trajectory of our deep dive.

An English nobleman falls for and marries a beautiful young chorus girl. When he brings her home to the castle to meet his family, she is horrified to learn that she is niece, aunt, and/or cousin of all twenty-three of the staff of servants.

Dir: Clarence G. Badger

Susan, a wealthy young Easterner, is making her way across the country when she accidentally becomes separated from the train carrying her west. She finds herself in the clutches of a gang of bandits, who discover they've got more on their hands than they bargained for.

Dir: Clarence G. Badger

A visual fragment from the archive: The thematic resonance of Leave It to Susan perfectly mirrors the editorial trajectory of our deep dive.

Dorothy Dean, a wealthy young woman with modern ideas, abhors the institution of marriage but discovers that she must be wed in order to receive a wealthy relative's inheritance. Through Judge Roan, the family lawyer, Dorothy meets Don Morton, who agrees to accept a $10,000 check to marry her and then leave her in peace. After the ceremony, however, Dorothy's new husband takes her to a lonely island retreat where he tries unsuccessfully to win her love. Defeated, he leaves the island. In his absence, she is attacked by thieves and is fighting for her life when Don returns and rescues her. Dorothy now realizes that she is happy to have a husband, and the two embark on a real honeymoon.

Dir: Clarence G. Badger

Jim Fenton helps rescue a falsely imprisoned inventor and assists him in avenging himself on the man who robbed him of his invention and of his freedom.

Dir: Clarence G. Badger

A visual fragment from the archive: The thematic resonance of Friend Husband perfectly mirrors the editorial trajectory of our deep dive.

A cub reporter (Normand) is sent undercover to get a story, but falls for the man she is investigating.

Dir: Clarence G. Badger

Rosie Mendelsohn, the daughter of a kindly Jewish tailor in New York City's East Side ghetto, ends her romance with struggling author George Howard at the behest of her father, who prohibits her marriage to a gentile. George disappears from her life, and Rosie attempts to find him by becoming a private secretary to publisher Joseph Rayberg. She persuades Rayberg to host a contest in which authors submit endings to an unfinished manuscript she claims to have discovered. Rayberg, intent on seducing Rosie, agrees to publish the manuscript only after Rosie promises to have sex him when the contest is over. In reality, the manuscript is a portion of George's novel, a humorous story based on Rosie's life. After receiving George's ending to the story, Rayberg locks Rosie in his office, but she escapes into George's arms. Her father relents and blesses their union.

Dir: Clarence G. Badger

A visual fragment from the archive: The thematic resonance of Jes' Call Me Jim perfectly mirrors the editorial trajectory of our deep dive.

Slaving to perfect an invention, Noah Vale tries to keep two orphans--Rip and Patch--and himself by peddling books and is helped by Scallops, a girl who occasionally brings them food. He appeals to Fay, a wealthy relative, for help in marketing his invention and arouses the interest of Fay's pretty daughter. Sterrett, Fay's partner, steals the model but returns it when he discovers it to be worthless. Johnny Smith, Fay's secretary, is fired when he proposes to the boss's daughter; and visiting Vale's attic, he is comforted by his epigrams. Johnny takes them to a newspaper editor, and they are so successful that both Smith and Vale are hired. Vale decides to give up inventing for writing, and Johnny marries Miss Fay despite her father's opposition.

Dir: Clarence G. Badger

Alec Lloyd is a cowboy who has successfully managed to arrange romances for other lovesick cowhands, but has a lot more trouble managing his own love life.

Dir: Clarence G. Badger

Coarse country girl Sis Hopkins and general store clerk Ridy Scarboro are so engrossed in their dalliance that a basket is overturned and a large can of oil spills into a pool, creating a slow leak. Wealthy villager Vibert thus becomes convinced that Sis's farm is located on a pocket of oil, and he schemes to gain control of the property by marrying Sis. Vibert sends her to a young woman's seminary for refinement. Sis creates chaos in the school and is a problem for principal Miss Peckover. Vibert eventually realizes Sis will never measure up to his standards for a wife. Ridy, who has been jealous, is overjoyed when Sis returns home. Vibert entices Pa Hopkins into selling the property for a small amount, but Sis shrewdly succeeds in tripling the price. Finally Vibert discovers the can in which he has invested so heavily.