Underground Favorites Mirroring the Impact of A Salty Sap: Cult Guide

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Jerome Storm

Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.

Dir: William Watson

A visual fragment from the archive: The thematic resonance of Homer Comes Home perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Reggie Morris

A visual fragment from the archive: The thematic resonance of Daring Lions and Dizzy Lovers perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Henry Edwards

A millionaire bets £25,000 that he can earn his own living for six months.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: William Watson

Mr. Newlywed was a pleasant sight for sore eyes. He was hurrying home to his own wifie. Ye Gods. what a strange sight. He was in such a hurry that Motor Mike, the Cop could not keep up with him. The cause of all this rush was the prettiest, dimpliest little wifie you have ever seen, and she had the cutest dog, who did all kinds of tricks. The, only thing that marred their happiness was the fact that their Landlord was their next door neighbor. Mrs. Landlord was a domineering factor in the whole house. Her poor husband and cat had to shimmy the way she jazzed. The Newlyweds' dog and the Landlords' cat were friendly enemies. The dog chases the cat into Mrs. Newlywed's apartment, and the poor cat seeks shelter under her bed. Mr. Landlord was very fond of his cat and therefore followed the cat under the bed. Just then, Mr. Newlywed rushed into his house to escape the Cop. Mrs. Newlywed does some antics in trying to hide the Landlord under the bed. Her husband thinks she has gone crazy and tells her to help him hold the door shut so that the Cop won't get in. She gets up, and lo and behold there is Mr. Landlord as big as life. A general melee ensues where the Newlyweds and the Landlords have a terrible scrap. The Newlyweds beat up the Landlords and leave their house. When the Landlords regain consciousness, they vow vengeance. The Newlyweds are now comfortably settled in their "Dollar down and a dollar when you catch me bungalow." Their off-spring, Brownie, helps wifie in the kitchen, and hubby in the garden. He performs some of the most wonderful tricks that have ever before been seen on the screen. Their happiness is only short-lived, for the Landlords are on the job. While they slumber sweetly at night, the Landlords attach the bungalow to a horse and drive the bungalow into the ocean. The Newlyweds awaken in mid-ocean. They put a note in Brownie's collar. He swims ashore and gets the fire boat. In the meantime the villains are on shore and glorying in their sweet revenge. The lamp in the bungalow over-turns and a fire is started. The Newlyweds climb to the roof and are rescued by the fire boat where they fade out happily.

Dir: William Watson

A fascinating piece of cinema that shares thematic elements.