Underground Favorites Mirroring the Impact of A Tailor-Made Man: Cu...

Dir: Joseph De Grasse

Nenette Bisson, who dances in her father's French restaurant in New York, takes a joy ride with "Kink" Colby in a stolen car, and is shot in the shoulder by a pursuing policeman. The driver leaves her at the hospital of David Kendall, with whom she falls in love, but he, believing French women to be frivolous, does not return her affections. Nenette's parents turn her out when they learn of her trouble with the police, after which she becomes a success on the stage. David serves overseas for two years during World War I and there learns to appreciate the valiance of French women. On his return, he proclaims his love for Nenette and helps her achieve a reconciliation with her parents.

Dir: Joseph De Grasse

A visual fragment from the archive: The thematic resonance of Bobbie of the Ballet perfectly mirrors the editorial trajectory of our deep dive.

Young ballet dancer Bobbie Brent has lost her parents and must care for herself and her younger brother and sister. To keep the children, she pretends that they are her own children and not her siblings. Jack Stinson, her boyfriend, is aghast at this deception and breaks up with her. However, Jack's old girlfriend Velma is still jealous of Bobbie and comes up with a scheme to get rid of her once and for all so she can have Jack all to herself.

Dir: Joseph De Grasse

Mary and Fannie Graham are forced to live with their criminal father when their mother dies. Mary flees, but Fannie remains with her father and is reared as a thief, becoming known as "Flash" Fan.

Dir: Joseph De Grasse

A visual fragment from the archive: The thematic resonance of The Girl in the Checkered Coat perfectly mirrors the editorial trajectory of our deep dive.

While awaiting the train to Broadway, Nell Baxter meets the leading man of a repertory company to whom she confides her ambitions. Upon arriving in the city, Nell attracts the lascivious eye of stage manager David Montieth, who eventually gives her the starring role in a play with the expectation that he will be favored with her affections. Nell, however, has fallen in love with playwright Paul Neihoff. On the afternoon that the show is to open, Montieth learns of Nell's romance and cancels the show. Nell goes to Montieth's apartment to plead with him to open the show, and he consents after setting Nell's virtue as the price of her ambition. When he attempts to collect, Nell stabs him and rushes to Neihoff's apartment. The playwright tells her to go to the theater as if nothing has happened, writes a letter confessing that he killed the manager, and then takes an overdose of a drug and dies. Word comes to Nell after the second act that Neihoff has sacrificed himself, and in the last act, she substitutes a real dagger for the fake one and stabs herself to death. It has all been a story, however, concocted by the leading man to cure Nell of her infatuation with the footlights, and no one has died.

Dir: Joseph De Grasse

A young author is so overjoyed at selling her first book that she unknowingly signs over all her rights to the greedy publisher. Later, after the book becomes a best-seller, the publisher's nephew (who has fallen in love with her) tries to help her get her rights back.

Dir: Joseph De Grasse

A visual fragment from the archive: The thematic resonance of Triumph perfectly mirrors the editorial trajectory of our deep dive.

A pacifist mother tries to protect her son, whose patriotism makes him want to enlist in the army. Her uncle, a doctor, has invented a heart medication which mimics heart disease. Just a drop or ten in her son's drink should keep him home.

Dir: Joseph De Grasse

An unusual story about the crossing paths of the poor Italian family of sculptor Giovanni (Lon Chaney) and reckless American millionaire, Cyrus Kirkham (Gilmore Hammond). Louise Lovely plays two parts: Giovanni's wife Leonita, who comes to grief when Cyrus falls in love with her; and Giovanni's daughter Elisa, whose beauty brings a horrific resolution to the two families' woes.

Dir: Joseph De Grasse

A visual fragment from the archive: The thematic resonance of The Grasp of Greed perfectly mirrors the editorial trajectory of our deep dive.

Joe Lawson, a corrupt gold miner, kills his partner, his partner's wife and his own wife for the mine, and steals his partner's child, while abandoning his own child. He starts an outlaw town. 20 years later, his son returns as does his partner, who's not really dead, but is rather unhappy.

Dir: Joseph De Grasse

Dick Temple is serving a five-year prison sentence because he took the blame for a robbery his father committed. His father promises to go straight, but the old man dies two years later, before he can reveal Dick was Innocent.

Dir: Joseph De Grasse

Oliver Curwell disowned his son Roger because he declined to abandon art and go into business, Roger gradually drifted from bad to worse until he was a derelict on the streets of San Francisco. In his art-student days a girl of the name of Olga had shown interest in him, believing he would inherit his father's millions, but when he was cast off the girl abandoned her pretense of affection. One evening Roger wanders into "Sailor's Rest," a saloon and dance hall run by "Hell" Morgan. A work of art hanging behind the bar Roger denounced as a "daub." Morgan resented this remark and was beating Roger when Lola saved his life by her interference. Morgan's daughter continued to befriend Roger and finally prevailed upon her father to give Roger the job of playing the piano in the dance hall. Roger painted Lola's portrait and they fell in love with each other. Sleter, a tough politician, objected, for the reason that he coveted Morgan's daughter. Olga leads a party of friends to "Sailor's Rest" on a slumming tour. She sees Roger at the piano and sends for him, as she reads in the newspapers of the death of Oliver Curwell, who willed his millions to his son. Roger joins Olga's party, and the old days are recalled. He forgets his love for Lola, and makes advances which Olga reciprocates. Lola goes to the party of slummers, and takes physical toll of both Roger and Olga. As a result Roger leaves "Sailor's Rest" and Lola resigns herself to Sleter. But when he attempts to collect his reward, Lola rebels and resists his advances. The tumult in Lola's room attracts "Hell" Morgan. He dashes upstairs, and in an encounter with Sleter is shot and mortally wounded. Lola drives Sleter from her room and escapes, dragging her father down a fire escape. Hardly have they reached the ground when San Francisco's earthquake and fire break loose. "Sailor's Rest" tumbles in a burning heap. Helping her father, Lola reaches the Presidio, where refugees are assembling. Her father is near death and she seeks a doctor in the crowd. Roger has been drawn back to "Sailor's Rest" by his love for Lola, and when he finds the place in ruins he likewise wends his way to the Presidio. Fate brings them together as "Hell" Morgan dies.