Essential Cult Cinema Mirroring the Impact of A Woman Redeemed: Cult Guide

Dir: George D. Baker

A prison inmate obtains his release from prison in order to rescue his daughter from the clutches of her unscrupulous mother's plot to implicate the girl in a blackmail scheme.

Dir: Maurice Tourneur

A visual fragment from the archive: The thematic resonance of The White Circle perfectly mirrors the editorial trajectory of our deep dive.

Having endangered his life by foolishly gambling away funds entrusted to him by the Carbonari, an Italian secret society, London banker Bernard Huddlestone appeals to Northmour, an adventurer, for protection. Northmour takes Huddlestone and his daughter Clara to his castle in Scotland, offering them safety in return for Clara's hand in marriage. There Clara encounters Frank Cassilis, an old adversary of Northmour's, and falls in love. Trouble brews between the two men, but when the Carbonari discovers Huddlestone's hiding place and storms the castle, the fugitives band together to fight the avengers. Coming to the realization that only his sacrifice will appease the attackers, Huddlestone steps out and meets his death. Northmour, deciding that married life would prove too monotonous, gives up his claim on Clara to Cassilis.

Dir: Fred Niblo

Roger Moran, a member of a gang of thieves headed by Mike Wilson, is released from prison after having served a two-year sentence. He has learned his lesson and vows to leave his life of crime, but his girlfriend Betty Palmer--also a member of the gang--won't leave "the false road". Roger finally leaves her and finds a job with a sympathetic banker, Joshua Starbuck. However, one day the bank is broken into and the contents of the safe are stolen, and it turns out that the culprits are two members of Roger's old gang. He tracks them to New York and convinces them that he wants to get back into the gang, in order to find where they're keeping the money. However, matters don't quite go as Roger had planned and Betty comes back into his life.

Dir: Emil Justitz

A visual fragment from the archive: The thematic resonance of The False Road perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Harry F. Millarde

Desperate because a wealthy man has reduced her father to thievery, Rhoda agrees to rob the poor box of the church, although she finds the act abhorrent. During the robbery, Rhoda's father is shot and dies in the priests's arms, seeking absolution, while the man who ruined him looks on. Penitent, the man appoints Rhoda as his representative to return the ill-gotten gains to those he has robbed. Rhoda enters the underworld as an angel of mercy, gaining the sobriquet of "The White Moll." After many thrilling escapades, she brings The Dangler, the leader of a gang of crooks, to justice, saves others from death and finally wins The Pug, the man of her choice.

Dir: Jerome Storm

A visual fragment from the archive: The thematic resonance of Das rote Plakat perfectly mirrors the editorial trajectory of our deep dive.

A bumbling would-be detective always seems to reach the wrong conclusion, but one day accidentally stumbles across a real crook, guilty of a real crime.

Dir: Dallas M. Fitzgerald

Returning to England a hero after saving a British garrison in India, Leigh Dering marries Jean Desmond, the daughter of a wealthy merchant. Humiliated by the patronage of his wealthy father-in-law, Leigh turns to drink, estranging him from Jean. Returning home one night he finds the body of his wife's father. When Jean accuses her husband of the crime, Leigh disappears, making it seem as if he has been killed in a railway accident. Five years pass and Leigh has become a victim of drink and drugs, barely existing in India. Jean marries Willoughby, an unscrupulous officer who was forced to leave India when his betrayal of the Rajah's sister earned the enmity of the ruler, thus endangering the garrison that Leigh had rescued. When Willoughby returns to India with his new wife, the Rajah seizes upon the opportunity for revenge. Planning to blow up the palace during a reception, the Rajah is thwarted by Leigh. In a rage, the Rajah kills Willoughby in hand-to-hand combat, thereby permitting the reconciliation between Jean and Leigh, who have already paid the price of redemption.

Dir: George Beranger

A visual fragment from the archive: The thematic resonance of The White Moll perfectly mirrors the editorial trajectory of our deep dive.

John Fenton visits a fortune-teller to gain insight into his parentage. While there, a police raid occurs, and he climbs the fire escape to the apartment above. There he finds a girl standing over the body of a young man who has just shot himself. The girl, Belle Charmion, explains that her half brother, Gordon Brewster, had stolen some jewels from their uncle and, fearing that the police would capture him, had attempted suicide. Fenton conceals the brother in another room and impersonates him when the police arrive. Later, he and Belle take Brewster to his uncle's home. In the excitement, the jewels have been forgotten, and Fenton returns to search for them. By this time, the family butler, who is a member of an underworld gang, has tipped off his friends, who then steal the Fenton jewels. At the butler's home, a scuffle ensues; Fenton recovers the jewels and learns that he is actually a distant relative of the Charmions, having been kidnapped in infancy by a crook. With both mysteries thus resolved, Belle and Fenton become engaged.

Dir: Joseph Henabery

When respectable Lloyd Norwood becomes infatuated with moll Goldie Lewis, he falls into a life of debasement that results in his being accused of the murder of gangland henchman Joe the Swell. Norwood's wife Mary, convinced of her husband's innocence, determines to clear his name. Disguising herself as a vamp and infiltrating the underworld, Mary extracts a confession from the real murderer, Pussyfoot Connor, whom she dupes into believing that he sees the ghost of the murdered man. Later, to have witnesses to the story, Mary takes a midnight dinner with gang leader Jack Frost, arousing the jealousy of Connor, who enters and accuses Frost of instigating the murder. The police, alerted to the scheme, rush in and arrest the criminals. Finally, a phone call to the prison warden results in Norwood's release as a wiser man.

Dir: Harry Southwell

A fascinating piece of cinema that shares thematic elements.